Find all School-related info fast with the new School-Specific MBA Forum

It is currently 22 Jul 2014, 05:49

Close

GMAT Club Daily Prep

Thank you for using the timer - this advanced tool can estimate your performance and suggest more practice questions. We have subscribed you to Daily Prep Questions via email.

Customized
for You

we will pick new questions that match your level based on your Timer History

Track
Your Progress

every week, we’ll send you an estimated GMAT score based on your performance

Practice
Pays

we will pick new questions that match your level based on your Timer History

Not interested in getting valuable practice questions and articles delivered to your email? No problem, unsubscribe here.

Events & Promotions

Events & Promotions in June
Open Detailed Calendar

Modern architecture has been criticized for emphasizing

  Question banks Downloads My Bookmarks Reviews Important topics  
Author Message
TAGS:
Director
Director
avatar
Joined: 03 Jul 2003
Posts: 656
Followers: 2

Kudos [?]: 9 [0], given: 0

GMAT Tests User
Modern architecture has been criticized for emphasizing [#permalink] New post 12 Apr 2004, 16:39
Modern architecture has been criticized for emphasizing practical and technical issues at the expense of aesthetic concerns. The high-rise buildings constructed throughout the industrialized world in the 1960s and 1970s provide ample evidence that cost-efficiency and utility have became the overriding concerns of the modern architect. However, Otto Wagner’s seminal text on modern architecture, first published in Germany in 1896, indicates that the failure of modern architecture cannot be blamed on the ideals of its founders.
  Wagner’s Modern Architecture called for a new style based on modern technologies and models of construction. He insisted that there could be no return to traditional, preindustrial models; only by accepting wholeheartedly the political and technological revolutions of the nineteenth century could the architect establish the forms appropriate to a modern, urban society. “All modern creation,” Wagner wrote, “must correspond to the new materials and demands of the present…must illustrate our own better, democratic, self-confident, ideal nature,” and must incorporate the new “colossal technical and scientific achievements” of the age. This would indeed seem to be the basis of a purely materialist definition of architecture, a prototype for the simplistic form-follows-function dogma that opponents have identified as the intellectual basis of modern architecture.
  But the picture was more complex, for Wagner was always careful to distinguish between art and engineering. Ultimately, he envisaged (to have a mental picture of especially in advance of realization “envisages an entirely new system of education”) the architect developing the skills of the engineer without losing the powers of aesthetic judgment that Wagner felt were unique to the artist. “Since the engineer is seldom a born artist and the architect must learn as a rule to be an engineer, architects will in time succeed in extending their influence into the realm occupied by the engineers, so that legitimate aesthetic demands can be met in a satisfactory way.” In this symbiotic relationship essential to Modernism, art was to exercise the controlling influence.
  No other prospect was imaginable for Wagner, who was firmly rooted as a designer and, indeed, as a teacher in the Classical tradition. The apparent inconsistency of a confessed Classicist advising against the mechanical imitation of historical models and arguing for new forms appropriate to the modern age created exactly the tension that made Wagner’s writings and buildings so interesting. While he justified, for example, the choice of a circular ground plan for churches in terms of optimal sight-lines and the technology of the gasometer, the true inspiration was derived from the centralized churches of the Italian Renaissance. He acknowledged as rationalist that there was no way back to the social and technological conditions that had produced the work of Michelangelo or Fischer von Erlach, but he recognized his emotional attachment to the great works of the Italian Renaissance and Austrian Baroque.
1. Which one of the following best expresses the main idea of the passage?

(A)Modern architecture has been criticized for emphasizing practical and technical issues and for failing to focus on aesthetic concerns.
(B)Critics have failed to take into account the technological innovations and aesthetic features that architects have incorporated into modern buildings.
(C)Wagner’s Modern Architecture provides architects with a chronicle of the origins of modern architecture.
(D)Wagner’s Modern Architecture indicates that the founders of modern architecture did not believe that practical issues should supersede the aesthetic concerns of the past.
(E)Wagner’s seminal text, Modern Architecture, provides the intellectual basis for the purely materialistic definition of modern architecture.

[Reveal] Spoiler:
D


2. According to the passage, Wagner asserts which one of the following about the roles of architect and engineer?

(A)The architect should make decision about aesthetic issues and leave decision about technical matters to the engineers.
(B)The engineer has often developed the powers of aesthetic judgment previously thought to be unique to the architect.
(C)The judgment of the engineer should be as important as the judgment of the architect when decisions are made about aesthetic issues.
(D)The technical judgment of the engineer should prevail over the aesthetic judgment of the architect in the design of modern buildings.
(E)The architect should acquire the knowledge of technical matters typically held by the engineer.

[Reveal] Spoiler:
E


3. The passage suggests that Wagner would be LEAST likely to agree with which one of the following statements about classical architecture and the modern architect?

(A)The modern architect should avoid the mechanical imitation of the models of the Italian Renaissance and Austrian Baroque.
(B)The modern architect cannot design buildings appropriate to a modern, urban society and still retain emotional attachments to the forms of the Italian Renaissance and Austrian Baroque.
(C)The modern architect should possess knowledge of engineering as well as of the architecture of the past.
(D)The modern architect should not base designs on the technological conditions that underlay the design of the models of the Italian Renaissance and Austrian Baroque.
(E)The designs of modern architects should reflect political ideals different from those reflected in the designs of classical architecture.

[Reveal] Spoiler:
B


4. The passage suggests which one of the following about the quotations from Modern Architecture cited in the second paragraph?

(A)They represent the part of Wagner’s work that has had the least influence on the architects who designed the high-rise buildings of the 1960s and 1970s.
(B)They describe the part of Wagner’s work that is most often evoked by proponents of Wagner’s ideas on art and technology.
(C)They do not adequately reflect the complexity of Wagner’s ideas on the use of modern technology in architecture.
(D)They reflect Wagner’s active participation in the political revolutions of the nineteenth century.
(E)They provide an overview of Wagner’s ideas on the relationship between art and technology.

[Reveal] Spoiler:
C


5. The author of the passage states which one of the following about the concerns of modern architecture?

(A)Cost-efficiency, utility, and aesthetic demands are the primary concerns of the modern architect.
(B)Practical issues supersede aesthetic concerns in the design of many modern buildings.
(C)Cost-efficiency is more important to the modern architects than are other practical concerns.
(D)The design of many new buildings suggests that modern architects are still inspired by architectural forms of the past.
(E)Many modern architects use current technology to design modern buildings that are aesthetically pleasing.

[Reveal] Spoiler:
B


6. The author mentions Wagner’s choice of a “circular ground plan for churches” most likely in order to

(A)provide an example of the kinds of technological innovations Wagner introduced into modern architecture
(B)provide an example of Wagner’s dismissal of historical forms from Italian Renaissance
(C)provide an example of a modern building where technological issues were much less significant than aesthetic demands
(D)provide evidence of Wagner’s tendency to imitate Italian Renaissance and Austrian Baroque models
(E)provide evidence of the tension between Wagner’s commitment to modern technology and to the Classical tradition

[Reveal] Spoiler:
E


7. The passage is primarily concerned with

(A)summarizing the history of a debate
(B)explaining a traditional argument
(C)describing and evaluating a recent approach
(D)justifying a recent criticism by presenting new evidence
(E)supporting an assertion by discussing an important work


[Reveal] Spoiler:
E


Last edited by MacFauz on 19 Mar 2014, 22:08, edited 1 time in total.
Formatting and Edited Title
Senior Manager
Senior Manager
avatar
Joined: 05 Feb 2004
Posts: 291
Location: USA
Followers: 1

Kudos [?]: 2 [0], given: 0

GMAT Tests User
 [#permalink] New post 13 Apr 2004, 05:56
real toughie.......God forbid we get one of these :( .....would be happy even if I got 1 correct :?
1.E
2.B
3.D
4.B
5.A
6.D
7.E
Took 15 minutes...........!!
Senior Manager
Senior Manager
avatar
Joined: 23 Sep 2003
Posts: 295
Location: US
Followers: 1

Kudos [?]: 0 [0], given: 0

GMAT Tests User
 [#permalink] New post 13 Apr 2004, 06:23
Yes,

This was indeed tough. ~13 mins

1) E
2) E
3) D
4) C
5) B (I don't know why I think C is kinda wrong but I may be wrong)
6) E
7) E
Manager
Manager
avatar
Joined: 16 Oct 2003
Posts: 154
Location: India
Followers: 1

Kudos [?]: 1 [0], given: 0

GMAT Tests User
 [#permalink] New post 13 Apr 2004, 20:51
here are my answers.. took a long time.. more than 12-13 minutes..

1) A
2) E
3) B
4) C
5) B
6) E
7) E
_________________

A 750 aspirant.

VP
VP
User avatar
Joined: 03 Apr 2007
Posts: 1377
Followers: 2

Kudos [?]: 153 [0], given: 10

GMAT Tests User Reviews Badge
Re: [#6] RC Challenge- modern buildings. [#permalink] New post 04 Jul 2008, 10:56
Notes:

Para1: (Limitations of Modern Architecture)
- Modern architecture has been criticized for emphasizing practical and technical issues at the expense of aesthetic concerns.
- Cost-efficiency and utility have became the overriding concerns of the modern architect
- Otto indicates that the failure of modern architecture cannot be blamed on the ideals of its founders.

Para 2: (Otto’s approach)
-Otto’s Modern Architecture called for a new style based on modern technologies and models of construction.
-only by accepting wholeheartedly the political and technological revolutions of the nineteenth - basis of a purely materialist definition of architecture, a prototype for the simplistic form-follows-function dogma that opponents have identified as the intellectual basis of modern architecture.

Para 3: (What did Otto realize/achieve?)
- Wagner was always careful to distinguish between art and engineering.
- Ultimately, he envisaged the architect developing the skills of the engineer without losing the powers of aesthetic judgment

Para 4: (Limitations of Otto’s work)
- Tensions created :The apparent inconsistency of a confessed Classicist advising against the mechanical imitation of historical models and arguing for new forms appropriate to the modern age
- He acknowledged as rationalist that there was no way back to the social and technological conditions that and produced the work of Michelangelo or Fischer von Erlach, but he recognized his emotional attachment to the great works of the Italian Renaissance and Austrian Baroque.

1. Which one of the following best expresses the main idea of the passage?

(A) Modern architecture has been criticized for emphasizing practical and technical issues and for failing to focus on aesthetic concerns.
- >>> Modern architecture did not fail to focus on aesthetic concerns. It gave technical and practical issues priority over aesthetic concerns.

(B) Critics have failed to take into account the technological innovations and aesthetic features that architects have incorporated into modern buildings.
- >>>Nope.The passage highlights limitations of Modern Architecture and later moves on to explain Otto’s approach.

(C) WagnerтАЩs Modern Architecture provides architects with a chronicle of the origins of modern architecture.
- >>>Nope.Otto’s work doesn’t emphasize on time details
-
(D) WagnerтАЩs Modern Architecture indicates that the founders of modern architecture did not believe that practical issues should supersede the aesthetic concerns of the past.
- >>>YES. Otto indicates that the failure of modern architecture cannot be blamed on the ideals of its founders

(E) WagnerтАЩs seminal text, Modern Architecture, provides the intellectual basis for the purely materialistic definition of modern architecture.
- >>>But this not the whole idea of the paasage.It explain’s the concept of Otto’s work in para 2.r

2. According to the passage, Wagner asserts which one of the following about the roles of architect and engineer?

(A) The architect should make decision about aesthetic issues and leave decision about technical matters to the engineers.

(B) The engineer has often developed the powers of aesthetic judgment previously thought to be unique to the architect.

(C) The judgment of the engineer should be as important and the judgment of the architect when decisions are made about aesthetic issues.

(D) The technical judgment of the engineer should prevail over the aesthetic judgment of the architect in the design of modern buildings.

(E) The architect should acquire the knowledge of technical matters typically held by the engineer. - >>> тАЬSince the engineer is seldom a born artist and the architect must learn as a rule to be an engineer

3. The passage suggests that Wagner would be LEAST likely to agree with which one of the following statements about classical architecture and the modern architect?

(A) The modern architect should avoid the mechanical imitation of the models of the Italian Renaissance and Austrian Baroque.
- >>>Agree
- Classicist advising against the mechanical imitation of historical models and arguing for new forms appropriate to the modern age

(B) The modern architect cannot design buildings appropriate to a modern, urban society and still retain emotional attachments to the forms of the Italian Renaissance and Austrian Baroque.
- >>>Disagree.
- Ottos advised against imitating historical models and arguing for new forms appropriate to the modern age
- He acknowledged as rationalist that there was no way back to the social and technological conditions that and produced the work of Michelangelo or Fischer von Erlach, but he recognized his emotional attachment to the great works of the Italian Renaissance and Austrian Baroque.

(C) The modern architect should possess knowledge of engineering as well as of the architecture of the past.
- >>>Agree. тАЬSince the engineer is seldom a born artist and the architect must learn as a rule to be an engineer

(D) The modern architect should not base designs on the technological conditions that underlay the design of the models of the Italian Renaissance and Austrian Baroque.
- >>>Agree. He acknowledged as rationalist that there was no way back to the social and technological conditions that and produced the work of Michelangelo or Fischer von Erlach, but he recognized his emotional attachment to the great works of the Italian Renaissance and Austrian Baroque.

(E) The designs of modern architects should reflect political ideals different from those reflected in the designs of classical architecture.
- >>>Agree. Classicist advising against the mechanical imitation of historical models and arguing for new forms appropriate to the modern age

4. The passage suggests which one of the following about the quotations from Modern Architecture cited in the second paragraph?

(A) They represent the part of WagnerтАЩs work that has had the least influence on the architects who designed the high-rise buildings of the 1960s and 1970s.
- >>OOS

(B) They describe the part of WagnerтАЩs work that is most often evoked by proponents of WagnerтАЩs ideas on art and technology.
- >>>OOS

(C) They do not adequately reflect the complexity of WagnerтАЩs ideas on the use of modern technology in architecture.

(D) They reflect WagnerтАЩs active participation in the political revolutions of the nineteenth century.
- >>>Otto wanted to accept the political revolution.He was not actively participating.

(E) They provide an overview of WagnerтАЩs ideas on the relationship between art and technology.
- >>>Nope.No info to support this.

5. The author of the passage states which one of the following about the concerns of modern architecture?
(A) Cost-efficiency, utility, and aesthetic demands are the primary concerns of the modern architect.
- >>>Cost efficiency is one of the practical concerns

(B) Practical issues supersede aesthetic concerns in the design of many modern buildings.
- >>> Modern architecture has been criticized for emphasizing practical and technical issues at the expense of aesthetic concerns

(C) Cost-efficiency is more important to the modern architects than are other practical concerns.
- >>>Cost efficiency is one of the practical concerns

(D) The design of many new buildings suggests that modern architects are still inspired by architectural forms of the past.
- >>>This is Otto’s concern

(E) Many modern architects use current technology to design modern buildings that are aesthetically pleasing.
- >>>>Type of Technology is not a concern

6. The author mentions WagnerтАЩs choice of a тАЬcircular ground plan for churchesтАЭ (line 54) most likely in order to

(A) provide an example of the kinds of technological innovations Wagner introduced into modern architecture

(B) provide an example of WagnerтАЩs dismissal of historical forms from Italian Renaissance

(C) provide an example of a modern building where technological issues were much less significant than aesthetic demands.

(D) provide evidence of WagnerтАЩs tendency to imitate Italian Renaissance and Austrian Baroque models.

(E) provide evidence of the tension between WagnerтАЩs commitment to modern technology and to the Classical tradition - >>>The apparent inconsistency of a confessed Classicist advising against the mechanical imitation of historical models and arguing for new forms appropriate to the modern age created exactly the tension that made WagnerтАЩs writings and buildings so interesting. While he justified, for example, the choice of (line 54) a circular ground plan for churches in terms of optimal sight-lines and the technology of the gasometer, the true inspiration was derived from the centralized churches of the Italian Renaissance.

7. The passage is primarily concerned with

(A) summarizing the history of a debate
- >>>There is no debate. We have concerns about Modern technology.Otto’s approach, his finding and the limitations of his work are discussed

(B) explaining a traditional argument
- >>>There is no traditional argument. We have concerns about Modern technology.Otto’s approach and the limitations of his work are discussed

(C) describing and evaluating a recent approach
- >>> Otto’s approach is discussed but it is not evaluated.

(D) justifying a recent criticism by presenting new evidence
>>>Nope. OOS
-
(E) supporting an assertion by discussing an important work .
- >>>YES. Otto’s approach, his finding and the limitations of his work are discussed
VP
VP
User avatar
Joined: 03 Apr 2007
Posts: 1377
Followers: 2

Kudos [?]: 153 [0], given: 10

GMAT Tests User Reviews Badge
Re: [#6] RC Challenge- modern buildings. [#permalink] New post 04 Jul 2008, 10:58
Can someone please explain question (4) without using POE?
Director
Director
User avatar
Joined: 12 Apr 2008
Posts: 501
Location: Eastern Europe
Schools: Oxford
Followers: 11

Kudos [?]: 154 [0], given: 4

GMAT Tests User
Re: [#6] RC Challenge- modern buildings. [#permalink] New post 04 Jul 2008, 13:31
Wy answers were:
1.E
2.E
3.B
4.C
5.B
6.E
7.E

Missed the first one. Time - 15 min :?

Quote:
Can someone please explain question (4) without using POE?


Here's my reasoning:

Quote:
4. The passage suggests which one of the following about the quotations from Modern Architecture cited in the second paragraph?


Main theme: modern architecture should mirror the spirit of modern times

(A) They represent the part of Wagners work that has had the least influence on the architects who designed the high-rise buildings of the 1960s and 1970s.
We don’t know how exactly Wagners work influenced them. Also, the ideas of 2nd paragraph seem to be rather in tune with the approach of modern architects

(B) They describe the part of Wagners work that is most often evoked by proponents of Wagners ideas on art and technology.
We don’t know what Wagners proponents evoked ‘most often’

(C) They do not adequately reflect the complexity of Wagners ideas on the use of modern technology in architecture.
Yes, see the beginning of the next paragraph:
‘But the picture was more complex… ’- which implies that the ideas in paragraph 2 don’t represent Wagners ideas completely.


(D) They reflect Wagners active participation in the political revolutions of the nineteenth century.
It was never mentioned

(E) They provide an overview of Wagners ideas on the relationship between art and technology.
No, it was mainly about ‘modern times influence modern architecture’
VP
VP
User avatar
Joined: 03 Apr 2007
Posts: 1377
Followers: 2

Kudos [?]: 153 [0], given: 10

GMAT Tests User Reviews Badge
Re: [#6] RC Challenge- modern buildings. [#permalink] New post 04 Jul 2008, 13:45
greenoak wrote:
Wy answers were:
1.E
2.E
3.B
4.C
5.B
6.E
7.E

Missed the first one. Time - 15 min :?

Quote:
Can someone please explain question (4) without using POE?


Here's my reasoning:

Quote:
4. The passage suggests which one of the following about the quotations from Modern Architecture cited in the second paragraph?


Main theme: modern architecture should mirror the spirit of modern times

(A) They represent the part of Wagners work that has had the least influence on the architects who designed the high-rise buildings of the 1960s and 1970s.
We don’t know how exactly Wagners work influenced them. Also, the ideas of 2nd paragraph seem to be rather in tune with the approach of modern architects

(B) They describe the part of Wagners work that is most often evoked by proponents of Wagners ideas on art and technology.
We don’t know what Wagners proponents evoked ‘most often’

(C) They do not adequately reflect the complexity of Wagners ideas on the use of modern technology in architecture.
Yes, see the beginning of the next paragraph:
‘But the picture was more complex… ’- which implies that the ideas in paragraph 2 don’t represent Wagners ideas completely.


(D) They reflect Wagners active participation in the political revolutions of the nineteenth century.
It was never mentioned

(E) They provide an overview of Wagners ideas on the relationship between art and technology.
No, it was mainly about ‘modern times influence modern architecture’


Yep D and E in 1 are pretty close. From my experience with RCs, summarizing the contents of a para helps to answer main/primary objective/point type questions.
1 KUDOS received
Moderator
Moderator
User avatar
Joined: 02 Jul 2012
Posts: 1226
Location: India
Concentration: Strategy
GMAT 1: 740 Q49 V42
GPA: 3.8
WE: Engineering (Energy and Utilities)
Followers: 61

Kudos [?]: 623 [1] , given: 116

GMAT Tests User Premium Member
Re: Modern architecture has been criticized for emphasizing [#permalink] New post 19 Mar 2014, 23:07
1
This post received
KUDOS
Bumping for review and further discussion*.

*New project from GMAT Club!!! Check HERE
_________________

Did you find this post helpful?... Please let me know through the Kudos button.

Thanks To The Almighty - My GMAT Debrief

GMAT Reading Comprehension: 7 Most Common Passage Types

Re: Modern architecture has been criticized for emphasizing   [#permalink] 19 Mar 2014, 23:07
    Similar topics Author Replies Last post
Similar
Topics:
Modern critics are amused by early scholars categorizing beyondinfinity 7 23 Jun 2006, 11:09
Modern critics are amused by early scholars categorizing gmacvik 14 29 Jan 2006, 15:29
Modern critics are amused by early scholars categorizing gmacvik 12 25 Oct 2005, 13:47
Coach: Our team has often been criticized for our enthusiasm chunjuwu 11 04 May 2005, 08:06
Modern critics are amused by early scholars’ categorizing TIANMU 7 20 Aug 2004, 19:57
Display posts from previous: Sort by

Modern architecture has been criticized for emphasizing

  Question banks Downloads My Bookmarks Reviews Important topics  


GMAT Club MBA Forum Home| About| Privacy Policy| Terms and Conditions| GMAT Club Rules| Contact| Sitemap

Powered by phpBB © phpBB Group and phpBB SEO

Kindly note that the GMAT® test is a registered trademark of the Graduate Management Admission Council®, and this site has neither been reviewed nor endorsed by GMAC®.