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Museums that house Renaissance oil paintings typically store

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Museums that house Renaissance oil paintings typically store [#permalink] New post 31 Jan 2007, 06:21
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A
B
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Difficulty:

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Question Stats:

57% (02:47) correct 43% (02:03) wrong based on 853 sessions
Museums that house Renaissance oil paintings typically store them in environments that are carefully kept within narrow margins of temperature and humidity to inhibit any deterioration. Laboratory tests have shown that the kind of oil paint used in these paintings actually adjusts to climatic changes quite well. If, as some museum directors believe, paint is the most sensitive substance in these works, then by relaxing the standards for temperature and humidity control, museums can reduce energy costs without risking damage to these paintings. Museums would be rash to relax those standards, however, since results of preliminary tests indicate that gesso, a compound routinely used by Renaissance artists to help paint adhere to the canvas, is unable to withstand significant variations in humidity.

In the argument above, the two portions in boldface play which of the following roles?

(A) The first is an objection that has been raised against the position taken by the argument; the second is the
position taken by the argument.
(B) The first is the position taken by the argument; the second is the position that the argument calls into
question.
(C) The first is a judgment that has been offered in support of the position that the argument calls into
question; the second is a circumstance on which that judgment is, in part, based.
(D) The first is a judgment that has been offered in support of the position that the argument calls into
question; the second is that position.
(E) The first is a claim that the argument calls into question; the second is the position taken by the argument
[Reveal] Spoiler: OA

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Last edited by WaterFlowsUp on 14 Sep 2014, 07:54, edited 1 time in total.
Proper OG question is provided
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 14 Jun 2008, 08:28
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Here is my attempt to explain :

0.Issue - topic of argument
Museums that house Renaissance oil paintings typically store them in envbironments
that are carefully kept within narrow margins of temperature and humidity to inhibit any
deterioration.Laboratory tests have shown that the kind of oil paint used in these paintings
actually adjusts to climatic changes quite well.Can the museum rleax standards based on the tests?

1.Conclusion -What does the author think?
Museums would be rash to relax those standards

2.Position - point of view or attitude about an issue or question
museums can reduce energy costs without risking damage to these paintings.

3. Judgement -an opinion formed from a consideration of the facts.
as some museum directors believe,paint is the most sensitive substance in these works


Please correct me if Iam wrong.
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 14 Jan 2008, 07:31
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Museums that house Renaissance oil paintings typically store them in envbironments
that are carefully kept within narrow margins of temperature and humidity to inhibit any
deterioration. Laboratory tests have shown that the kind of oil paint used in these paintings
actually adjusts to climatic changes quite well. If, as some museum directors believe,
paint is the most sensitive substance in these works, then by relaxing the standards
for temperature and humidity control, museums can reduce energy costs
without risking damage to these paintings
. Museums would be rash to relax those
standards, however, since results of preliminary tests indicate that gesso, a compound routinely used by Renaissance artists to help paint adhere to the canvas, is unable to
withstand significant variations in humidity.

In the argument above, the two portions in boldface play which of the following
roles?
A. The first is an objection that has been raised against the position taken by the
argument; the second is the position taken by the argument.
B. The first is the position taken by the argument; the second is the position that the
argument calls into question.
C. The first is a judgment that has been offered in support of the position that the
argument
calls into question; the second is a circumstance on which that judgment is,
in part based.
D. The first is a judgment that has been offered in support of the position that the
argument
calls into question; the second is that positon.
E. The first is a claim that the argument calls into question; the second is the position
taken by the argument.
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 14 Jan 2008, 07:43
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JCLEONES wrote:
Museums that house Renaissance oil paintings typically store them in envbironments
that are carefully kept within narrow margins of temperature and humidity to inhibit any
deterioration. Laboratory tests have shown that the kind of oil paint used in these paintings
actually adjusts to climatic changes quite well. If, as some museum directors believe,
paint is the most sensitive substance in these works, then by relaxing the standards
for temperature and humidity control, museums can reduce energy costs
without risking damage to these paintings
. Museums would be rash to relax those
standards, however, since results of preliminary tests indicate that gesso, a compound routinely used by Renaissance artists to help paint adhere to the canvas, is unable to
withstand significant variations in humidity.

In the argument above, the two portions in boldface play which of the following
roles?
A. The first is an objection that has been raised against the position taken by the
argument; the second is the position taken by the argument.
B. The first is the position taken by the argument; the second is the position that the
argument calls into question.
C. The first is a judgment that has been offered in support of the position that the
argument
calls into question; the second is a circumstance on which that judgment is,
in part based.
D. The first is a judgment that has been offered in support of the position that the
argument
calls into question; the second is that positon.
E. The first is a claim that the argument calls into question; the second is the position
taken by the argument.


D.

Main conclusion of the arg: Museums will be rash in relaxing temperature requirements because tests show evidence contrary to what museum directors believe.

A, B, E can be eliminated easily; the second part is not the position taken by the argument.
C can be eliminated; the second part is not a circumstance on which that judgment is in part based. The second is the position that the argument calls into question.
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 01 Feb 2007, 03:02
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:oops: Hi All,
lets discuss what GMAC means by "Claim", "position", "judgement". Such terms may reappear and then discuss this question again.

I think:
Claim: each side of argument
Position: just a stand point or a view on which a claim is made.
judgement: When supported by aurgument, a Position should be concidered as judgement.
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 14 Jun 2008, 06:28
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i like to use POE in BF questions
goalsnr wrote:
Museums that house Renaissance oil paintings typically store them in envbironments
that
are carefully kept within narrow margins of temperature and humidity to inhibit any
deterioration.
Laboratory tests have shown that the kind of oil paint used in these paintings
actually adjusts to climatic changes quite well. If, as some museum directors believe,
paint is the most sensitive substance in these works, then by relaxing the standards
for temperature and humidity control, museums can reduce energy costs
without risking damage to these paintings
. Museums would be rash to relax those
standards, however, since results of preliminary tests indicate that gesso, a compound
routinely used by Renaissance artists to help paint adhere to the canvas, is unable to
withstand significant variations in humidity.
In the argument above, the two portions in boldface play which of the following
roles?
A. The first is an objection that has been raised against the position taken by the
argument ; the second is the position taken by the argument. the second isn't the postion of the argument
B. The first is the position taken by the argument; the second is the position that the
argument calls into question. the first isn't the postion taken by the argument
C. The first is a judgment that has been offered in support of the position that the
argument
calls into question; the second is a circumstance on which that judgment is,
in part based. the second isn't a circumstance of the first
D. The first is a judgment that has been offered in support of the position that the
argument
calls into question; the second is that positon. the first is indeed a jdgement of the position that the argument is against, and the second is that position
E. The first is a claim that the argument calls into question; the second is the position
taken by the argument. the second isn't the argument's position


D
Can someone explain what is the claim , position and judgement in teh above CR?
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 12 Sep 2011, 21:14
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Hi,

I think this is the question adopted from OG. Though I have seen you post late (I started my preparation 2 months ago and now am intrested to work actively in this forum), I have some suggestions to offer in line with the question asked by you.

Facts: i have completed my OG verbal reasoning and I found that "minor type questions" which have "bold faced questions" as subtopic are also my weakness. But at the same time, I am practicing to improve on it. That made me see your post.

Opinion: I have started to love these questions since they challenge me every time but I have not mastered them. Also, these questions are time taking and you might not encounter more than one question on the real GMAT, do not focus much on these. However, you must not entirely forget them.

Conclusion: You must try to get the maximum information about these questions in less time.

My suggestion would be to go through the manhattan CR stretegy guide and then there is a trick given to plumb these questions. Initially by learning that, you wont be able to solve all the questions (my own assumption, may not be so) but then practice few more questions on GMAT forums and then I think you would start getting them.

By the way, I have been practicing these questions since last two days and I could not get this correct again after OG since I have not mastered.

But I wanted to offer the solution which I feel is right since I am facing the same problem and that's how I plan to uproot it.
(If you dont have manhattan, let me know. I can explain it to you)
Kudos for me if you like my suggestion.

Thanks,
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 22 Jun 2012, 09:32
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Hi, I got a PM to respond to this one. I created a non polished video.. let me know if this helps...


_________________

https://www.youtube.com/watch?v=WeT9_Wr0DlI&feature=youtu.be

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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 22 Jun 2012, 10:29
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Nicely explained ! Thanks!

Just wanted to make sure that "Position" and "Judgement" have the same meaning and that choice B is incorrect because it states that "Position taken by the argument" and not "Position taken by the directors of museum"
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 31 Jan 2007, 08:23
I would go for B. If right, I can explain.
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 31 Jan 2007, 08:46
one more B
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 31 Jan 2007, 11:16
C.
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 31 Jan 2007, 12:33
I would choose B b/c the passage says the Museums would be rash to relax those standards
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 31 Jan 2007, 19:20
Give me D!
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 31 Jan 2007, 21:26
D !
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"Education is what remains when one has forgotten everything he learned in school."

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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 01 Feb 2007, 02:38
The OA is D.
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 01 Feb 2007, 02:51
Can someone explain this please?

Thanks
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 14 Jan 2008, 08:18
D it is
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 14 Jan 2008, 10:25
this one is a little tough, Ill go with D.
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Re: Museums that house Renaissance oil paintings typically store [#permalink] New post 14 Jan 2008, 10:41
JCLEONES wrote:
Museums that house Renaissance oil paintings typically store them in envbironments
that are carefully kept within narrow margins of temperature and humidity to inhibit any
deterioration. Laboratory tests have shown that the kind of oil paint used in these paintings
actually adjusts to climatic changes quite well. If, as some museum directors believe,
paint is the most sensitive substance in these works, then by relaxing the standards
for temperature and humidity control, museums can reduce energy costs
without risking damage to these paintings
. Museums would be rash to relax those
standards, however, since results of preliminary tests indicate that gesso, a compound routinely used by Renaissance artists to help paint adhere to the canvas, is unable to
withstand significant variations in humidity.

In the argument above, the two portions in boldface play which of the following
roles?
A. The first is an objection that has been raised against the position taken by the
argument; the second is the position taken by the argument.
B. The first is the position taken by the argument; the second is the position that the
argument calls into question.
C. The first is a judgment that has been offered in support of the position that the
argument
calls into question; the second is a circumstance on which that judgment is,
in part based.
D. The first is a judgment that has been offered in support of the position that the
argument
calls into question; the second is that positon.
E. The first is a claim that the argument calls into question; the second is the position
taken by the argument.


D. The first is a point used for another argument that argues for reducing the standards. The second is the conclusion of that other argument. The author of this passage is arguing against that argument.

Essentally the first is used to support the other argument and the second is the conclusion of that argument.


The problem is confusing because there are actually 2 arguments. The answer choices don't make it any easier.

Very good problem!
Re: Museums that house Renaissance oil paintings typically store   [#permalink] 14 Jan 2008, 10:41
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