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Studio executives carefully examine how a film performs on [#permalink]
09 Sep 2012, 06:12
Question Stats:
37% (02:35) correct
62% (01:27) wrong based on 3 sessions
Studio executives carefully examine how a film performs on its opening weekend in order to determine whether – and how – to invest more in that film. Many decisions, such as increasing the number of screens that show the film and expanding the marketing campaign, are best made after reaction ca be gathered from audience who actually purchased tickets. Therefore, to maximize returns on their marketing investments, studios should initially release all their films on a small number of screens and with a limited advertising campaign. The plan to maximize returns by initially releasing films on only a small number of screens and limiting advertising depends on which of the following assumptions? A) Large marketing investments made before the opening weekend never eventually yield greater profits than small initial marketing investments. B) New advertising technique such as web-based viral marketing, haven’t substantially reduced the average marketing cost for films. C) A film’s prior performance in noncommercial settings, such as festivals, is not well correlated with how the general public tends to react to than film. D) Across the movie industry, marketing investments do not influence the eventual financial returns of films in predictable way. E) How a film performs during its opening weekend is a strong indicator of the film’s financial performance over its lifetime. OA
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Re: Studio executives carefully examine how a film performs on [#permalink]
09 Sep 2012, 07:10
I will go with E.ohh close but good one missed on this completely, The answer will be A. A) Large marketing investments made before the opening weekend never eventually yield greater profits than small initial marketing investments.- -this is too strong a statement, if this assumption were to be correct then there would be no point in marketing.Although it, is strong but it defends the argument.I am at a loss here. B) New advertising technique such as web-based viral marketing, haven’t substantially reduced the average marketing cost for films. --- it just talks about a type of marketing, no relation what so ever with conclusion. C) A film’s prior performance in noncommercial settings, such as festivals, is not well correlated with how the general public tends to react to than film.-irrelevant D) Across the movie industry, marketing investments do not influence the eventual financial returns of films in predictable way.--This option does not fits in since the argument is about whether to spend in pre-marketing or post-marketing. E) How a film performs during its opening weekend is a strong indicator of the film’s financial performance over its lifetime.-- This seems plausible, fills in the gap that the first weekend is a sure indicator for further investments.Avantika seems right on this one .Completely missed
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Last edited by conty911 on 09 Sep 2012, 13:25, edited 1 time in total.
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Re: Studio executives carefully examine how a film performs on [#permalink]
09 Sep 2012, 08:17
A The suggestion is for all releases. So it is assumed that no other way is better Posted from my mobile device Posted from my mobile device
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Re: Studio executives carefully examine how a film performs on [#permalink]
09 Sep 2012, 13:10
1
This post received KUDOS
Ans: A. Also, E is explaining the first statement of the question and not providing with any assumption.
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Re: Studio executives carefully examine how a film performs on [#permalink]
10 Sep 2012, 05:26
carcass wrote: Studio executives carefully examine how a film performs on its opening weekend in order to determine whether – and how – to invest more in that film. Many decisions, such as increasing the number of screens that show the film and expanding the marketing campaign, are best made after reaction ca be gathered from audience who actually purchased tickets. Therefore, to maximize returns on their marketing investments, studios should initially release all their films on a small number of screens and with a limited advertising campaign. The plan to maximize returns by initially releasing films on only a small number of screens and limiting advertising depends on which of the following assumptions? A) Large marketing investments made before the opening weekend never eventually yield greater profits than small initial marketing investments. B) New advertising technique such as web-based viral marketing, haven’t substantially reduced the average marketing cost for films. C) A film’s prior performance in noncommercial settings, such as festivals, is not well correlated with how the general public tends to react to than film. D) Across the movie industry, marketing investments do not influence the eventual financial returns of films in predictable way. E) How a film performs during its opening weekend is a strong indicator of the film’s financial performance over its lifetime. OA after some opinion  Negate option A and the argument falls apart. +1 A Thanks, Ankit
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Re: Studio executives carefully examine how a film performs on [#permalink]
01 Jan 2013, 04:51
Sorry. I completely forgot this thread  Thanks for PVT OE Quote: The correctanswer choiceeliminates an ALTERNATE PATH TO THE SAME END. According to the argument, all films should be released conservatively, in order to obtain the greatest return on marketing investments. The rationale given is that audience reactions can only be properly gathered and interpreted after the opening weekend; these reactions then serve as the basis for marketing decisions such as expanding the films release. However, the argument ignores other possible means to achieve the stated goal of maximum returns onmarketing investments. Specifically, the argument overlooks the impact of marketing decisions that are made before open- ing weekend, such as the initial number of screens or the initial size of the advertising campaign; such decisions could influence the results of the opening weekend. In fact, investing a great deal in marketing before a film opens might be the best way to generate profits, as in the case of block- busters or of films predicted to collapse after the opening weekend. Note that several of the incor- rect answers reinforce a conservative attitude toward releasing a film, but none of them are critical to the validity of the conclusion, and thus none are assumptions upon which the conclusion depends. (A) CORRECT. In order to conclude that all films should have limited releases, it must not be pos- sible for large pre-release marketing spending to lead to the best returns on investment, no mat- ter what film is considered. Also, check the LEN: large marketing investments made before the opening weekerid could eventually yield greater profits than small initial marketing investments. The author's conclusion would fall apart if this were true. (B) If marketing costs fell, then releasing films might be less risky. However, the conclusion here is concerned with how to maximize profits. This choice does not address whether a conservative release plan is the best method to maximize profits. (C) This is a tempting choice. A premise in the argument says that reactions from commercial audiences are the most useful indicators in making marketing decisions. Try the LEN strategy: performance in non-commercial settings is at least somewhat correlated with how the general public tends to react. Does this destroy the conclusion? No. The non-commercial audience reactions could be decendy correlated without being the most useful type of audience reaction. (D) The author claims that limited releases are the best means to maximize returns on marketing investments. In other words, the author is predicting something about the expected return on a marketing investment. At the same time, the author's conclusion does not logically depend on whether marketing investments have predictable effects or not. (E) The opening weekend's results may be a strong indicator of future performance, but that does not allow us to conclude that the given plan will always result in the best financial returns on a marketing investment. There may be other, better indicators of future performance.
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Re: Studio executives carefully examine how a film performs on
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01 Jan 2013, 04:51
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