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When storing Renaissance oil paintings, museums conform to

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When storing Renaissance oil paintings, museums conform to [#permalink] New post 07 Oct 2009, 06:41
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A
B
C
D
E

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73% (02:35) correct 27% (01:39) wrong based on 199 sessions
When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings.

Which of the following is an assumption on which the argument depends?

A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards.
B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all.
C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings.
D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings.
E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created.

[Reveal] Spoiler:
D


Can somebody provide the explanation for the OA?
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Re: Renaissance oil paintings [#permalink] New post 07 Oct 2009, 10:43
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Sure abhi. The argument is that since paint on the paintings is unaffected by changes in temperature & humidity the museum should relax their standards & save money. Only D touches both points. If the system was in place for proctecting something besides paint then the claim that they should relax standards is significantly weakened. Kudos if that makes sense :-D
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Re: Renaissance oil paintings [#permalink] New post 07 Oct 2009, 14:32
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abhi758 wrote:
When storing Renaissance oil paintings, museums conform to standards that call for careful control of the surrounding temperature and humidity, with variations confined within narrow margins. Maintaining this environment is very costly, and recent research shows that even old oil paint is unaffected by wide fluctuations in temperature and humidity. Therefore, museums could relax their standards and save money without endangering their Renaissance oil paintings.

Which of the following is an assumption on which the argument depends?

A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards.
B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all.
C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings.
D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings.
E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created.

[Reveal] Spoiler:
D


Can somebody provide the explanation for the OA?



A. Renaissance paintings were created in conditions involving far greater fluctuations in temperature and humidity than those permitted by current standards. --> This strengthens the argument but not an assumption in anyway.

B. Under the current standards that museums use when storing Renaissance oil paintings, those paintings do not deteriorate at all. --> again strengthens but not an assumption
C. Museum collections typically do not contain items that are more likely to be vulnerable to fluctuations in temperature and humidity than Renaissance oil paintings. --> It is clearly stated that such methods are used only when 'storing Renaissance oil paintings'
D. None of the materials in Renaissance oil paintings other than the paint are vulnerable enough to relatively wide fluctuations in temperature and humidity to cause damage to the paintings. --> the argument mentions 'old paint' as being resistant, clearly assuming the canvas painted on and maybe even the frame are also resistant.
E. Most Renaissance oil paintings are stored in museums located in regions near the regions where the paintings were created. --> No mention of any regions.

So D.
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Re: Renaissance oil paintings [#permalink] New post 12 Nov 2009, 12:17
Expert's post
Choice D is the best. Basically, the passage only takes into account the paint. There is certainly more toconsider than the paint used in Renaissance art. The author's reasoning is incomplete.
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Re: When storing Renaissance oil paintings, museums conform to [#permalink] New post 19 May 2013, 22:57
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On regarding question,now i came to know about storing Renaissance oil paintings carefully with some essential instructions discussed on this forum. I want to know about the rarely shown "Michelangelo paintings"
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Re: When storing Renaissance oil paintings, museums conform to [#permalink] New post 21 Sep 2014, 04:05
Hello from the GMAT Club VerbalBot!

Thanks to another GMAT Club member, I have just discovered this valuable topic, yet it had no discussion for over a year. I am now bumping it up - doing my job. I think you may find it valuable (esp those replies with Kudos).

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Re: When storing Renaissance oil paintings, museums conform to   [#permalink] 21 Sep 2014, 04:05
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