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mSKR wrote:
VeritasKarishma wrote:
Ranasaymon wrote:
VeritasKarishma AndrewN ChiranjeevSingh Sajjad1994

How to answer such type of question? After using POE, I am stuck between C and D. D confuses me, as the last line of the last paragraph talks about reforms and resistance. I though that the new paragraph will start with showing reforms and resistance. Is my guess incorrect?

Which of the following statements would be most likely to begin the paragraph immediately following the passage?
-> Q: What is the first line of new paragraph after the end of the passage.

(A) The subject of women's emancipation, which had germinated years before, surfaced in public debate in the period after 1919.
(B) The pessimistic view of the emancipation of women in the 1920's was dispelled when it was seen that emancipation could be achieved by working with a series of limited and specific goals.
(C) A vivid reflection of the changes that occurred in Chinese fiction is found in Lo Pin-chi's novel, Mother Wang (1953).
(D) In an interesting reversal of the problems produced by the generation gap, Ju Chihchiian's novel, Wish Fulfilled (1959), depicts a son's difficulty in adjusting to his mother's newly acquired job and independence.
(E) Recently written Chinese fiction, unlike earlier works, is didactic and not philosophical.


Yes, method of elimination is the way to go. The next paragraph will present a subsequent thought. If could be a small step ahead from the last line or a leap. So you need to eliminate options that do not fit.

The passage is about female characters in Chinese fiction. We start with before early 20th century, then early 20th century, then late 1940s, then after 1949 (which has led to changes in women's life int he last 2 centuries).
So (C) and (D) are subsequent thoughts:

(C) A vivid reflection of the changes that occurred in Chinese fiction is found in Lo Pin-chi's novel, Mother Wang (1953).
This gives us an example of changes in fiction after 1949 i.e. in 1953. This could be the next logical discussion.


(D) In an interesting reversal of the problems produced by the generation gap, Ju Chihchiian's novel, Wish Fulfilled (1959), depicts a son's difficulty in adjusting to his mother's newly acquired job and independence.
The issue here - generation gap. No where has generation gap been discussed. So what is "the generation gap" mentioned here? We don't know. Hence the link is broken.

Answer (C)


Hi VeritasKarishma

Can you give your reasoning for rejecting option E?
In what scenarios E could be correct?

My query :
Should we always pay attention to subsequent thought ( like C and D) or can also consider some some summary or concluding sentences for such questions(Q7)?

Please suggest.

Thanks!


Option (E) is not linked to the passage at all. The passage is about female characters in Chinese fiction over the decades. Whether that fiction is didactic or philosophical is not discussed at all. So this will not be a part of this passage.
The start of a new paragraph will not be a summary. It will be the start of a subsequent thought. The last line of the passage could be the summary. Also, the last paragraph could summarise the passage. But when we talk about first line of the next paragraph, the intent is to look for the subsequent thought.
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Re: A review of the treatment of female characters in Chinese fiction reve [#permalink]
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Quote:
4. The passage provides information for answering which of the following questions?


Quote:
(A) How did the government of the People's Republic of China deal with resistance to their policy of adequately compensating women for their work?

After the Communist party established the People's Republic in the late 1940's, attitudes changed again: the gaining of women's rights was treated as one of many ongoing social revolutions,
I don’t see any resistance.

Quote:
(8) What are some of the problems encountered by female characters in novels describing life in the People's Republic of China after 1949 ?


Fiction of this period also depicts the problems of compensating women adequately for their work and of giving them access to jobs previously performed by men.
Problems in accessing to jobs previuly performed by men,
Correct

Quote:
(C) What were the goals set for Chinese women by Communist party policy?

conform to the goals set for them by Communist party policy
We don’t know specific goals set for women. We only know that these goals were part of bigger revolution.

Quote:
(D) Do the stereotypes prevalent in Chinese fiction before the twentieth century still appear in Chinese literature?

And, in fact, the past two decades have seen the beginnings of some of these reforms in the lives of women in the People's Republic of China.

We don’t know it still appears in novels. Content of recent novels is not mentioned.

Quote:
(E) What initiated the first changes in the depiction of women in Chinese literature?

A review of the treatment of female characters in Chinese fiction reveals that Chinese social attitudes have undergone dramatic changes.
What initiated first changes , we don’t know
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Re: A review of the treatment of female characters in Chinese fiction reve [#permalink]
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soapbolt wrote:
Can You please explain how come option C is the right answer for question 8


"Most women in fiction after 1949 conform to the goals set for them by Communist party policy but still experience conflicts within family and group relationships as a result of the double burden placed on them by their domestic and job roles"
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TanmayT wrote:
Hi! SajjadAhmad!

Can you please give us an idea of the difficulty level of the questions in this passage?

Thank you.

Question #1: 600
Question #2: 550
Question #3: 650
Question #4: 650
Question #5: 700
Question #6: 600
Question #7: 700
Question #8: 750

Overall: 650-700­
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Re: A review of the treatment of female characters in Chinese fiction reve [#permalink]
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Quote:
8. The passage suggests that the author would most probably agree with which of the following statements about the relationship between Chinese novels written after 1949 and life in China during that period?


Most women in fiction after 1949 conform to the goals set for them by Communist party policy but still experience conflicts within family and group relationships as a result of the double burden placed on them by their domestic and job roles. Fiction of this period also depicts the problems of compensating women adequately for their work and of giving them access to jobs previously performed by men.


Summary:
Novels: conform to the goals set for them by Communist party policy
BUT
Means something in reality was different as defined by Communist party policy


(A) The novels were slow to reflect changes in culture.
Novels were defined based on defined policy, So we can’t comment on it

(B) The novels reminded citizens of their heritage and traditions, as well as pointed the way toward future possibilities.
Novels changed their view as per policy, These views were different pre-1940s. So this option can not be correct

(C) The novels provided government-sanctioned role models for citizens.
Exactly : Matches with policy -correct

(D) The authors presented a variety of experiences far wider than normally common to their audience.
Actually, we don’t know whether it was wider or narrower , we only know novels were based on policies.

(E) The authors seemed to be indifferent to the problems created by women's familial and job responsibilities.
Again, we don’t know whether authors were aware or not.
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Hoozan wrote:
EducationAisle please could you highlight what part of the para justifies Q2. (B)

The very first line of the third para Hoozan:

fiction after the late 1940's is not so pessimistic.

This clearly implies that fiction after the late 1940's views the possibility of social change with greater optimism (option B).

Quote:
as well as Q5. as a whole

Notice that the first para mentions:

After the Communist party established the People's Republic in the late 1940's, attitudes changed again: the gaining of women's rights was treated as one of many ongoing social revolutions, although from the beginning Communist party policy subordinated the women's struggle to the class struggle.

This is pretty much what option D paraphrases: the struggle of Chinese women for liberation was not something that could be looked at, in isolation, but was part of a larger struggle for liberation.
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Re: A review of the treatment of female characters in Chinese fiction reve [#permalink]
Can You please explain how come option C is the right answer for question 8
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Re: A review of the treatment of female characters in Chinese fiction reve [#permalink]
For Q4,is this the clue???

Most women in fiction after 1949 conform to the goals set for them by Communist party policy but still experience conflicts within family and group relationships as a result of the double burden placed on them by their domestic and job roles.

-the author mention the problems(answer) :the conflicts within family and group relationships
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A review of the treatment of female characters in Chinese fiction reve [#permalink]
Hi! SajjadAhmad!

Can you please give us an idea of the difficulty level of the questions in this passage?

Thank you.­
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A review of the treatment of female characters in Chinese fiction reve [#permalink]
Hello Sajjad1994 Nikhil


Can you please post explanation for question 3 and 5?
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Re: A review of the treatment of female characters in Chinese fiction reve [#permalink]
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ShreyKapil08 wrote:
Hello Sajjad1994 Nikhil

Can you please post explanation for question 3 and 5?


Please read the explanation in the post in link below

https://gmatclub.com/forum/a-review-of- ... l#p2180408

Thank you
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Re: A review of the treatment of female characters in Chinese fiction reve [#permalink]
ShreyKapil08 wrote:
Hello Sajjad1994 Nikhil


Can you please post explanation for question 3 and 5?


Quote:
3. The author mentions Lu Hsiin's comments on A Doll's House in order to make the point that


Taking his cue from Ibsen's play A Doll's House, in which the heroine, Nora, leaves home because she resents her husband's treating her like a child, the writer Lu Hsün warned that Nora would need money to support herself; she must have economic rights in order to survive.
What's going on at this time in paragraph?
In spite of the fact that the authors who dealt with women's issues prior to 1949 agreed in principle that reforms had to be instituted, the outlook they depicted for reform was bleak. xxxxxxxx. Individualism alone would not lead to emancipation
The authors talked about emancipation but at this time they want to highlight the practical issues that would come when women took steps against the society ( e.g. leave home)
So we need to find a similar thought among the options.

Quote:
(A) individualism, as presented in the play, benefits only the individual, not the community in which he or she lives
(8) Chinese writers looked to Western literature for evidence of pressures of social conventions similar to those pressures in their own culture
(D) the preoccupation in Western literature with women's emancipation blinded writers and thinkers to the broader social issues involved
(E) the treatment of women's emancipation in Western literature has little relevance to Chinese literature


no such thought is present in A( against what is mentioned; challenges for individuals) ; B, D and E( nothing about western ).
Read C again:
Quote:
(C) Chinese writers felt the need to focus on the practical problems presented by a particular social environment as well as on personal needs


the thought is similar : practical problems for women who need to face on emancipation . Lu Hsiin's comments on A Doll's House is an example of that reference .

I hope it is clear.
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Re: A review of the treatment of female characters in Chinese fiction reve [#permalink]
ShreyKapil08 wrote:
Hello Sajjad1994 Nikhil


Can you please post explanation for question 3 and 5?


Quote:
5. According to the passage, the struggle of Chinese women for liberation is portrayed in post-1949 Chinese literature as



before you jump in answers. let's think for a moment what was going in in post-1949 Chinese literature
Most women in fiction after 1949 conform to the goals set for them by Communist party policy but still experience conflicts within family and group relationships as a result of the double burden placed on them by their domestic and job roles.
in post1940 fictions, there were guidelines about women in fiction under social reform that were taking place. But in reality, women were facing problems in home ( e.g.: why not take care of baby and do household things ) and in job ( why women take men jobs) . In summary , guidelines could be : men and women are equal . but in society there could be lot of resistance at ground.

So question is : this struggle is portrayed as what in post 1940 Chinese literature?
let's see options:
Quote:
(A) a struggle with roots in pre-twentieth century events
(B) a product of pre-1949 social reforms
(C) subordinate to the maintenance of traditional social patterns
(D) part of a much larger struggle for liberation
(E) hampered by unrealistic Communist party policy

I would say: A and C are easy elimination.
There can some argument over C.
yes it could be part of maintenance of social patterns but not subordinate. The struggle was due to : society pressure vs CCP guidelines. If such emancipation was subordinate to social patters then this option become very weak. ( if it were mentioned : important to the maintenance of traditions, then we would have shortlisted this option)
E can be rejected because struggle was not hampered by CCP. In fact CCP was in support of women rights under social reforms ( remember this line: subordinated the women's struggle to the class struggle). women struggle was part of another bigger struggle)

B or D
I eliminate B because policies were made after 1949 and this women struggle started after these policies were made.
In another words, What changed before 1949 and after 1949? Struggle was there before also but at that time many women who took step outside society had to deal with other challenges such as economic etc.
but after 1949 guidelines, now such emancipation has become part of the society forcefully. Due to this , women faced challenges at home and at work. This was kind of new struggle for women after 1949.
And if we look why such struggle happened at 1st place?
because of policies. why such policies were act into place? because women struggle was part of class struggle. it means women struggle was part of much struggle ( class struggle) for liberation.

I hope it is clear and helpful.
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Re: A review of the treatment of female characters in Chinese fiction reve [#permalink]
VeritasKarishma AndrewN ChiranjeevSingh Sajjad1994

How to answer such type of question? After using POE, I am stuck between C and D. D confuses me, as the last line of the last paragraph talks about reforms and resistance. I though that the new paragraph will start with showing reforms and resistance. Is my guess incorrect?

Which of the following statements would be most likely to begin the paragraph immediately following the passage?
-> Q: What is the first line of new paragraph after the end of the passage.

(A) The subject of women's emancipation, which had germinated years before, surfaced in public debate in the period after 1919.
(B) The pessimistic view of the emancipation of women in the 1920's was dispelled when it was seen that emancipation could be achieved by working with a series of limited and specific goals.
(C) A vivid reflection of the changes that occurred in Chinese fiction is found in Lo Pin-chi's novel, Mother Wang (1953).
(D) In an interesting reversal of the problems produced by the generation gap, Ju Chihchiian's novel, Wish Fulfilled (1959), depicts a son's difficulty in adjusting to his mother's newly acquired job and independence.
(E) Recently written Chinese fiction, unlike earlier works, is didactic and not philosophical.
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Re: A review of the treatment of female characters in Chinese fiction reve [#permalink]
VeritasKarishma wrote:
Ranasaymon wrote:
VeritasKarishma AndrewN ChiranjeevSingh Sajjad1994

How to answer such type of question? After using POE, I am stuck between C and D. D confuses me, as the last line of the last paragraph talks about reforms and resistance. I though that the new paragraph will start with showing reforms and resistance. Is my guess incorrect?

Which of the following statements would be most likely to begin the paragraph immediately following the passage?
-> Q: What is the first line of new paragraph after the end of the passage.

(A) The subject of women's emancipation, which had germinated years before, surfaced in public debate in the period after 1919.
(B) The pessimistic view of the emancipation of women in the 1920's was dispelled when it was seen that emancipation could be achieved by working with a series of limited and specific goals.
(C) A vivid reflection of the changes that occurred in Chinese fiction is found in Lo Pin-chi's novel, Mother Wang (1953).
(D) In an interesting reversal of the problems produced by the generation gap, Ju Chihchiian's novel, Wish Fulfilled (1959), depicts a son's difficulty in adjusting to his mother's newly acquired job and independence.
(E) Recently written Chinese fiction, unlike earlier works, is didactic and not philosophical.


Yes, method of elimination is the way to go. The next paragraph will present a subsequent thought. If could be a small step ahead from the last line or a leap. So you need to eliminate options that do not fit.

The passage is about female characters in Chinese fiction. We start with before early 20th century, then early 20th century, then late 1940s, then after 1949 (which has led to changes in women's life int he last 2 centuries).
So (C) and (D) are subsequent thoughts:

(C) A vivid reflection of the changes that occurred in Chinese fiction is found in Lo Pin-chi's novel, Mother Wang (1953).
This gives us an example of changes in fiction after 1949 i.e. in 1953. This could be the next logical discussion.


(D) In an interesting reversal of the problems produced by the generation gap, Ju Chihchiian's novel, Wish Fulfilled (1959), depicts a son's difficulty in adjusting to his mother's newly acquired job and independence.
The issue here - generation gap. No where has generation gap been discussed. So what is "the generation gap" mentioned here? We don't know. Hence the link is broken.

Answer (C)


Hi VeritasKarishma

Can you give your reasoning for rejecting option E?
In what scenarios E could be correct?

My query :
Should we always pay attention to subsequent thought ( like C and D) or can also consider some some summary or concluding sentences for such questions(Q7)?

Please suggest.

Thanks!
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Re: A review of the treatment of female characters in Chinese fiction reve [#permalink]
VeritasKarishma wrote:
Ranasaymon wrote:
VeritasKarishma AndrewN ChiranjeevSingh Sajjad1994

How to answer such type of question? After using POE, I am stuck between C and D. D confuses me, as the last line of the last paragraph talks about reforms and resistance. I though that the new paragraph will start with showing reforms and resistance. Is my guess incorrect?

Which of the following statements would be most likely to begin the paragraph immediately following the passage?
-> Q: What is the first line of new paragraph after the end of the passage.

(A) The subject of women's emancipation, which had germinated years before, surfaced in public debate in the period after 1919.
(B) The pessimistic view of the emancipation of women in the 1920's was dispelled when it was seen that emancipation could be achieved by working with a series of limited and specific goals.
(C) A vivid reflection of the changes that occurred in Chinese fiction is found in Lo Pin-chi's novel, Mother Wang (1953).
(D) In an interesting reversal of the problems produced by the generation gap, Ju Chihchiian's novel, Wish Fulfilled (1959), depicts a son's difficulty in adjusting to his mother's newly acquired job and independence.
(E) Recently written Chinese fiction, unlike earlier works, is didactic and not philosophical.


Yes, method of elimination is the way to go. The next paragraph will present a subsequent thought. If could be a small step ahead from the last line or a leap. So you need to eliminate options that do not fit.

The passage is about female characters in Chinese fiction. We start with before early 20th century, then early 20th century, then late 1940s, then after 1949 (which has led to changes in women's life int he last 2 centuries).
So (C) and (D) are subsequent thoughts:

(C) A vivid reflection of the changes that occurred in Chinese fiction is found in Lo Pin-chi's novel, Mother Wang (1953).
This gives us an example of changes in fiction after 1949 i.e. in 1953. This could be the next logical discussion.


(D) In an interesting reversal of the problems produced by the generation gap, Ju Chihchiian's novel, Wish Fulfilled (1959), depicts a son's difficulty in adjusting to his mother's newly acquired job and independence.
The issue here - generation gap. No where has generation gap been discussed. So what is "the generation gap" mentioned here? We don't know. Hence the link is broken.

Answer (C)


Thanks, I missed the chronology and a key detail, generation gap. . Moreover, looking for key details can be helpful to eliminate this type of question.
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Re: A review of the treatment of female characters in Chinese fiction reve [#permalink]
Can anyone help how would they go by scratching notes for this long passage?
I tried to write after each sentence and things just got messier.
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