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Re: Music Archivist: Accomplished musicians typically leave behind countle [#permalink]
Musicians do not want some part of their music to be published.

But people do it anyway after the death of musician.

Hence the piece of art is ought to be destroyed.


Which one of the following statements, if true, most calls into question the music archivist’s suggestion?

A)Some subsequent holders of the music acknowledge that they’re ill equipped to determine whether the music is worthy to release...........doesn't explain why it should or not to be destroyed.

B)Many songs or albums released after death would have been released anyhow had the musician lived long enough.....doesn't affect and strengthens in a way.

D)The most successful musicians understand that many of their memoirs, letters, and lyrics will be publicly released after death............another strengthener.

Main competition in answer choices is between C and E.

C)An accomplished musician’s self-assessment of unreleased work is typically unduly harsh and frequently revised later in life..........This works against the argument and thus sounds a weakener.

E)Sometimes well-known musicians were not well-known during their lifetimes, but attained that recognition after their work was released posthumously.............this can be true but does not account for everyone. Main aspect of consideration is their opinion regarding their work and not about fame.
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Re: Music Archivist: Accomplished musicians typically leave behind countle [#permalink]
Music Archivist: Accomplished musicians typically leave behind countless songs and albums that were never released to the public. Often, the music was never released because the musician deemed the work of a quality not up to standard for public release at the time it was composed, and when asked if they’d like the music to be released after death, almost without exception the musician will answer “no”. However, the subsequent holders of the musician’s intellectual property frequently decide to release the music irrespective of the integrity of the work. Therefore, accomplished musicians should promptly destroy any music they decide not sufficient for public release.

Which one of the following statements, if true, most calls into question the music archivist’s suggestion?

A)Some subsequent holders of the music acknowledge that they’re ill equipped to determine whether the music is worthy to release.strengthening rather weakening

B)Many songs or albums released after death would have been released anyhow had the musician lived long enough.irrelevant. we have to weaken the argument that musicians should promptly destroy any music they decide not sufficient for public release .

C)An accomplished musician’s self-assessment of unreleased work is typically unduly harsh and frequently revised later in life. This possibility indicates that the accomplished musicians should not destroy their music .

D)The most successful musicians understand that many of their memoirs, letters, and lyrics will be publicly released after death. strengthening rather weakening

E)Sometimes well-known musicians were not well-known during their lifetimes, but attained that recognition after their work was released posthumously. Irrelevant .
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Re: Music Archivist: Accomplished musicians typically leave behind countle [#permalink]
Hello from the GMAT Club VerbalBot!

Thanks to another GMAT Club member, I have just discovered this valuable topic, yet it had no discussion for over a year. I am now bumping it up - doing my job. I think you may find it valuable (esp those replies with Kudos).

Want to see all other topics I dig out? Follow me (click follow button on profile). You will receive a summary of all topics I bump in your profile area as well as via email.
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Re: Music Archivist: Accomplished musicians typically leave behind countle [#permalink]
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