GMAT Question of the Day: Daily via email | Daily via Instagram New to GMAT Club? Watch this Video

It is currently 26 Jan 2020, 04:12

Close

GMAT Club Daily Prep

Thank you for using the timer - this advanced tool can estimate your performance and suggest more practice questions. We have subscribed you to Daily Prep Questions via email.

Customized
for You

we will pick new questions that match your level based on your Timer History

Track
Your Progress

every week, we’ll send you an estimated GMAT score based on your performance

Practice
Pays

we will pick new questions that match your level based on your Timer History

Not interested in getting valuable practice questions and articles delivered to your email? No problem, unsubscribe here.

Close

Request Expert Reply

Confirm Cancel

Stage performances are judged to be realistic to the degree

  new topic post reply Question banks Downloads My Bookmarks Reviews Important topics  
Author Message
TAGS:

Hide Tags

Find Similar Topics 
VP
VP
avatar
Joined: 30 Oct 2003
Posts: 1319
Location: NewJersey USA
Stage performances are judged to be realistic to the degree  [#permalink]

Show Tags

New post 05 Jan 2004, 21:10
2
5
00:00
A
B
C
D
E

Difficulty:

(N/A)

Question Stats:

35% (02:13) correct 65% (02:30) wrong based on 175 sessions

HideShow timer Statistics

Stage performances are judged to be realistic to the degree that actors reproduce on stage the behaviors generally associated by audiences with the emotional states of the characters portrayed. Traditional actors imitate those behaviors, whereas Method actors, through recollection of personal experience, actually experience the same emotions that their characters are meant to be experiencing. Audiences will therefore judge the performances of Method actors to be more realistic than the performances of traditional actors.

Which one of the following is an assumption on which the argument depends?

(A) Performances based on an actors own experience of emotional states are more likely to affect an audience's emotions than are performances based on imitations of the behaviors generally associated with those emotional states.

(B) The behavior that results when a Method actor tells a certain emotion will conform to the behavior that is generally associated by audiences with that emotion.

(C) Realism is an essential criterion for evaluating the performances of both traditional actors and Method actors.

(D) Traditional actors do not aim to produce performances that are realistic representations of a characters emotional states.

(E) In order to portray a character, a Method actor need not have had experiences identical to those of the character portrayed.
VP
VP
avatar
Joined: 30 Oct 2003
Posts: 1319
Location: NewJersey USA
Re: Stage performances are judged to be realistic to the degree  [#permalink]

Show Tags

New post 05 Jan 2004, 22:37
1
I chose A but the correct answer is B. I was struggling between A and B.
B is indeed the correct answer. Vivek has explained the reason very well.
Senior Manager
Senior Manager
avatar
Joined: 23 Aug 2003
Posts: 394
Location: In the middle of nowhere
Re: Stage performances are judged to be realistic to the degree  [#permalink]

Show Tags

New post 05 Jan 2004, 21:51
1) B

The first line of the stimulus gives us the clue....

Vivek.
Senior Manager
Senior Manager
User avatar
Joined: 05 May 2003
Posts: 361
Location: Aus
Re: Stage performances are judged to be realistic to the degree  [#permalink]

Show Tags

New post 05 Jan 2004, 21:54
I feel the answer should be A.

Argument talks about two different ways of acting. And suddenly concludes audiences will judge the performances of Method actors to be more realistic than the performances of traditional actors.
Intern
Intern
avatar
Joined: 22 Apr 2014
Posts: 8
Re: Stage performances are judged to be realistic to the degree  [#permalink]

Show Tags

New post 08 Apr 2016, 06:50
I was thinking about A and B, but A more suitable.
Intern
Intern
avatar
Joined: 23 Sep 2012
Posts: 1
Re: Stage performances are judged to be realistic to the degree  [#permalink]

Show Tags

New post 02 Sep 2016, 06:09
Answer A, should be eliminated as it states that performances affect an audiences's EMOTIONS, but the passage is not discussing the fact that emotions of the audience is affected in anyway.
CR & LSAT Forum Moderator
User avatar
V
Status: He came. He saw. He conquered. -- Studying for the LSAT -- Corruptus in Extremis
Joined: 31 Jul 2017
Posts: 913
Location: United States (MA)
Concentration: Finance, Economics
Re: Stage performances are judged to be realistic to the degree  [#permalink]

Show Tags

New post 27 Nov 2019, 06:20
OA added and bumping for further discussion
_________________
D-Day: November 18th, 2017

My CR Guide: Here
My RC Guide: Here
Need an expert to grade your AWA? Go: Here
Want to know your Business School chances? Go: Here
Want to be a moderator? We may want you to be one! See how: Here
Intern
Intern
avatar
B
Joined: 09 Nov 2019
Posts: 12
Re: Stage performances are judged to be realistic to the degree  [#permalink]

Show Tags

New post 27 Nov 2019, 13:38
tage performances are judged to be realistic to the degree that actors reproduce on stage the behaviors generally associated by audiences with the emotional states of the characters portrayed. Traditional actors imitate those behaviors, whereas Method actors, through recollection of personal experience, actually experience the same emotions that their characters are meant to be experiencing. Audiences will therefore judge the performances of Method actors to be more realistic than the performances of traditional actors.

Which one of the following is an assumption on which the argument depends?

(A) Performances based on an actors own experience of emotional states are more likely to affect an audience's emotions than are performances based on imitations of the behaviors generally associated with those emotional states.

(B) The behavior that results when a Method actor tells a certain emotion will conform to the behavior that is generally associated by audiences with that emotion.

(C) Realism is an essential criterion for evaluating the performances of both traditional actors and Method actors.

(D) Traditional actors do not aim to produce performances that are realistic representations of a characters emotional states.

(E) In order to portray a character, a Method actor need not have had experiences identical to those of the character portrayed.

Choice B is correct
Manager
Manager
avatar
S
Joined: 20 Oct 2018
Posts: 220
GMAT 1: 690 Q49 V34
GMAT 2: 740 Q50 V40
CAT Tests
Re: Stage performances are judged to be realistic to the degree  [#permalink]

Show Tags

New post 30 Dec 2019, 07:24
anandnk wrote:
Stage performances are judged to be realistic to the degree that actors reproduce on stage the behaviors generally associated by audiences with the emotional states of the characters portrayed. Traditional actors imitate those behaviors, whereas Method actors, through recollection of personal experience, actually experience the same emotions that their characters are meant to be experiencing. Audiences will therefore judge the performances of Method actors to be more realistic than the performances of traditional actors.

Which one of the following is an assumption on which the argument depends?


Argument - Judging a stage performance to be realistic - when there is a similarity between the emotions experienced by the audience and the emotion portrayed by the actors.
Traditional actor - imitate the emotion , Method actor - experience the emotion on stage
Conclusion - Audience will judge method actor's emotion to be more realistic.

Probable assumption - Method actor will be able to produce the same emotion that the audience experience while viewing the scene

(A) Performances based on an actors own experience of emotional states are more likely to affect an audience's emotions than are performances based on imitations of the behaviors generally associated with those emotional states.
- The culprit is "Affect"
- The argument does not mention the "affect" - whether the affect is positive or negative.
- May be the affect is more on a negative side, alienating the audience from the method actor's performance
- Close but Incorrect

(B) The behavior that results when a Method actor tells a certain emotion will conform to the behavior that is generally associated by audiences with that emotion.
- The argument states that audience will judge a performance realistic when their emotion are reproduced by the actors on stage. This argument was missing in the original passage.
- Correct

(C) Realism is an essential criterion for evaluating the performances of both traditional actors and Method actors.
- Negate: Realism is not an essential criterion for evaluation.
- First issue - Evaluation by whom? - Critics / audience = Do not know
- Even if it is not an essential criterion what matters is if they can match those emotions with those of the audience.
- Wrong

(D) Traditional actors do not aim to produce performances that are realistic representations of a characters emotional states.
- Their aim is irrelevant.
- Wrong

(E) In order to portray a character, a Method actor need not have had experiences identical to those of the character portrayed.
- This discusses the ability of method actor to portray a character. The argument focuses on the matching of emotional states of actors and audience.
- Irrelevant to some extent.
GMAT Club Bot
Re: Stage performances are judged to be realistic to the degree   [#permalink] 30 Dec 2019, 07:24
Display posts from previous: Sort by

Stage performances are judged to be realistic to the degree

  new topic post reply Question banks Downloads My Bookmarks Reviews Important topics  





Powered by phpBB © phpBB Group | Emoji artwork provided by EmojiOne