The Mona Lisa, arguably the world's most famous painting, may be a masterpiece, but it is neither flawless nor incomparable. The hands are badly matched, the background is dull, and other portraits from the same period evince equally enigmatic expressions. The undue focus on this painting, along with the popularity of a few other pieces, prevents most people not only from seeing the painting for what it really is, but also from understanding the true scope of 15th and 16th century European painting.
Which of the following, if true, provides the strongest support for the argument's conclusion?
A. Most people do not believe that the Mona Lisa has any evident flaws..
B. The creator of the Mona Lisa, Leonardo DaVinci, did not regard the painting as his finest work.
C. It is possible for most people to understand the true scope of 15th and 16th century European painting.
D. Other European paintings of the 15th and 16th century were once better known than the Mona Lisa.
E. Most art scholars feel that The Last Supper is a superior painting to the Mona Lisa.
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