Bunuel wrote:
Competition Mode Question
Some critics claim that it is unfair that so many great works of art are housed in huge metropolitan museums, since the populations served by these museums already have access to a wide variety of important artwork. But this criticism is in principle unwarranted because the limited number of masterpieces makes wider distribution of them impractical. Besides, if a masterpiece is to be fully appreciated, it must be seen alongside other works that provide a social and historical context for it.
Which one of the following, if established, could most logically serve as the principle appealed to in the argument countering the critics’ claim?
(A) In providing facilities to the public, the goal should be to ensure that as many as possible of those people who could benefit from the facilities are able to do so.
(B) In providing facilities to the public, the goal should be to ensure that the greatest possible number of people gain the greatest benefit possible from them.
(C) It is unreasonable to enforce a redistribution of social goods that involves depriving some members of society of these goods in order to supply others.
(D) For it to be reasonable to criticize an arrangement as unfair, there must be a more equitable arrangement that is practically attainable.
(E) A work of art should be displayed in conditions resembling as closely as possible those in which the work was originally intended to be displayed.
OFFICIAL EXPLANATION
(A) No. The argument challenges those critics who believe that more great works of art should be displayed outside large metropolitan areas. The basis of this challenge is twofold: 1) since only a limited number great works of art exists, distribution of these works of art outside of metropolitan museums is impractical; 2) masterpieces are best appreciated in the context of other works of art of the same era, which is more likely in “
huge metropolitan museums.” The principle in this answer-choice is not espoused by the author of the argument. It is the critics who would likely hold this principle since they believe it is unfair that “
the populations served by [metropolitan] museums already have access to a wide variety of important artwork.”
(B) No. This is the second-best choice. The argument challenges those critics who believe that more great works of art should be displayed outside large metropolitan areas. The basis of this challenge is twofold: 1) the critic’s position “is in principle unwarranted because the limited number of masterpieces makes wider distribution of them impractical”; 2) masterpieces are best appreciated in the context of other works of art of the same era, which is more likely in “
huge metropolitan museums.” The principle in this answer-choice is not espoused by the author of the argument. It is the critics who would likely hold this principle since they believe it is unfair that “
the populations served by [metropolitan] museums already have access to a wide variety of important artwork.” Although this answer-choice might support the second point, does not serve as the principle of the first point.
(C) No. The argument challenges those critics who believe that more great works of art should be displayed outside large metropolitan areas. The author responds to these critics by claiming that their desire to redistribute masterpieces is “
in principle unwarranted because the limited number of masterpieces makes wider distribution of them impractical.” In other words, no matter how inequitable a situation is, criticism of that situation is warranted only if a better arrangement is practical. The appropriateness of redistribution that deprives some people for the benefit of others is not discussed.
(D) Yes. The argument challenges those critics who believe that more great works of art should be displayed outside large metropolitan areas. The author responds to these critics by claiming that their desire to redistribute masterpieces is “
in principle unwarranted because the limited number of masterpieces makes wider distribution of them impractical.” In other words, no matter how inequitable a situation is, criticism of that situation is warranted only if a better arrangement is practical.
(E) No. Although the author does believe that great works of art are best seen in surroundings that depict the social and historical situation in which they were created, such surroundings are not necessarily those that the artist had intended. Regardless, this point is not relevant to the principle the author uses to establish her position.