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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
Here is the list of right answers

1 : Option E
2 : Option D
3 : Option C
4 : Option D

# All the options are more explicit in nature
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
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Q1. Option E. From 1st paragraph we can infer that
1. The attempt to performance practice started in 18th Century
2. In 1st half of 18th century Telmann and Bach performed their own music
3. In Early 19th century - collegium started performing music before the standard repertory
4. Standard repertory is the music from centuries (plural) before Bach and Handel
This means the standard reportory is atleast 2 centuries older than 18th century. Option E is in line with this inference.

Q2. Option D. This can be directly understood from the lines 3-7 of para 2.

Q3. Option B. We can understand from para 2 that
1. Bach died in 1750
2. Bach's music called for unannotated performing traditions. (Reason for choosing 1750 as cutoff date)
Hence, we can infer that music post Bach death DID NOT CALL for unannotated performance and it is already maintained.

Q4. Option D. From the passage we can understand that performance practice is nothing but re-performing the old music. This means it is NOT original/ authentic. Hence it is called as subdiscipline by the author.
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
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Hello all, OAs of this RC are posted now you can tally your answers

1. A
2. D
3. B
4. C

BlueBook

Good effort +Kudos to you, i will post Official explanations soon you can check where you made error.

Gautam12121991

You result is 50/50. Improvement is needed.

Good Luck.
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
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1. P1: Standard repertory music = music during the time of Bach and Handel, P2: "The reason for this demarcation was that the music of Bach, Handel, Telemann, and their contemporaries did call for obsolete instruments" --> standard repertory music = calling for obsolete instruments

Ans: A

2. No ambiguity on this one "Alongside this modern collegium musicum, German musicologists developed the historical subdiscipline known as “performance practice,” which included the deciphering of obsolete musical notation and its transcription into modern notation, the study of obsolete instruments, and—most importantly because all musical notation is incomplete—the re-establishment of lost oral traditions associated with those forgotten repertories"
Ans: D

3. "The reason for this demarcation was that the music of Bach, Handel, Telemann, and their contemporaries did call for obsolete instruments and voices and unannotated performing traditions." --> Inference: there was no need to study it afterwards because they included it (as an example, if we were specifically studying nervous people prior to 1750, we stopped when in 1750 once we realized that all people were nervous)

Ans: B

4. "...German musicologists developed the historical subdiscipline known as “performance practice,” which included the deciphering of obsolete musical notation and its transcription into modern notation, the study of obsolete instruments, and—most importantly because all musical notation is incomplete—the re-establishment of lost oral traditions associated with those forgotten repertories."

Tricky inference here: author is describing different aspects of music such as transcription, notation and re-establishment of oral tradition

Ans: C
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
SajjadAhmad wrote:
Hello all, OAs of this RC are posted now you can tally your answers

1. A
2. D
3. B
4. C

BlueBook

Good effort +Kudos to you, i will post Official explanations soon you can check where you made error.

Gautam12121991

You result is 50/50. Improvement is needed.

Good Luck.



Can you please upload the Detailed answer, I really want to know why did you go for B in question 3. ??
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
Hi, can someone please explain why answer choice D doesn't fit for Q1?

Although I marked the right answer, I was really confused between choice A and D. The last line of the first paragraph says that 'standard repertory by which was understood music from *before* the time of Bach and Handel'.

Thanks!
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
Expert Reply
Rocknrolla21 wrote:
Hi, can someone please explain why answer choice D doesn't fit for Q1?

Although I marked the right answer, I was really confused between choice A and D. The last line of the first paragraph says that 'standard repertory by which was understood music from *before* the time of Bach and Handel'.

Thanks!


OAs are posted here, please follow below link.

https://gmatclub.com/forum/the-origin-o ... l#p2487158

Good Luck
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
Experts: in Q4 option D and E are eliminated because it is focussing on the subpart (the historical subdiscipline known as “performance practice,” which included the deciphering.......) not as a whole; whereas option C is including all the subparts. Right?
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
Here is my attempt:
1: Option A
2: Option D
3: Option B
4: Option C
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
For the given RC,

In Q1, why can't the answer be D, as it is mentioned in last line of para1 that Standard repartory include music from time of Handel and bach

Regards,
Harsh.
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
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harsh154 wrote:
For the given RC,

In Q1, why can't the answer be D, as it is mentioned in last line of para1 that Standard repartory include music from time of Handel and bach

Regards,
Harsh.


Hi Harsh

Paragraph 2 of the passage states: "...the music of Bach, Handel, Telemann, and their contemporaries..."

From this, we gather that Bach, Handel and Telemann were contemporaries ie; belonged to roughly the same time period. Therefore, the "standard repertory" should refer to music belonging to this period.

Option (D) states: Written before the time of Handel.

This would refer to music written before the time of Bach etc. and hence, to a time period before the "standard repertory". Hence this cannot be the correct answer.

Hope this helps.
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
Good morning sir
Sir I not able to relate 1st question's answer after reading thrice as to what is inferred from the word standard repertory. According to me ans was d)written before the time of Handel.I m not able to understand what this line means..devoted itself to performing music from the centuries before the beginning of the “standard repertory,” by which was understood music from before the time of Bach and Handel…how it is referred to as music belonging to this(Bach n Handel) period and not before. If I understand that standard repertory is Bach, Handel's period then I will be able to relate the 2nd part that the music of Bach, Handel, Telemann, and their contemporaries did call for obsolete instruments and voices and unannotated performing traditions. Please help
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
Expert Reply
Mansha02 wrote:
Good morning sir
Sir I not able to relate 1st question's answer after reading thrice as to what is inferred from the word standard repertory. According to me ans was d)written before the time of Handel.I m not able to understand what this line means..devoted itself to performing music from the centuries before the beginning of the “standard repertory,” by which was understood music from before the time of Bach and Handel…how it is referred to as music belonging to this(Bach n Handel) period and not before. If I understand that standard repertory is Bach, Handel's period then I will be able to relate the 2nd part that the music of Bach, Handel, Telemann, and their contemporaries did call for obsolete instruments and voices and unannotated performing traditions. Please help


Please read the Official Explanation here: https://gmatclub.com/forum/the-origin-o ... l#p2487158

Regards
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The origin of the attempt to distinguish early from modern music and t [#permalink]
According to OE(Original Explanation)"It is reasonably inferable from the first paragraph as a whole that the “standard repertory” mentioned in line 8-9 refers to the music of Bach and Telemann as well as to other (“modern”) music from their time (first half of the eighteenth century)."
Sir in this it is directly mentioned it refers to the music of Bach and Telemann and music from their time but I m not able to infer the same..I thought before the time of Bach and Handel..I m sorry for bothering but i couldn't understand.
Also I will be really obliged if you explain me this line and as I m not able to figure out where I m going wrong.."..devoted itself to performing music from the centuries before the beginning of the “standard repertory,” by which was understood music from before the time of Bach and Handel"…how it is referred to as music belonging to this(Bach n Handel) period and not before.Thanks.
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
sir im a undergrad student i need to ace gmat rc can you give me some tips
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
Definitely a tough passage , took me 10 mins to read and answer all questions correctly even though I am good at RC. Happy to help if needed! Thanks SajjadAhmad for the passage and difficulty levels.
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Re: The origin of the attempt to distinguish early from modern music and t [#permalink]
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