To classify a work of art as truly great, it is necessary that the wok have both originality and far-reaching influence upon the artistic community.
The principle above, if valid, most strongly supports which one of the following arguments?
(A) By
breaking down traditional schemes of representation, Picasso redefined painting. It is this extreme originality that warrants his work being considered truly great. - WRONG. What does the red text stand for? Does it mean that it had influence on wider artistic communities? This is where this option loses out.
(B) Some of the most original art being produced today is found in isolated communities, but because of this isolation these works have only minor influence, and hence cannot be considered truly great. - CORRECT. Contra side of the argument truly represented.
(C) Certain examples of the drumming practiced
in parts of Africa’s west coast employ a musical vocabulary that resists representation in Western notational schemes. This tremendous originality, coupled with the profound impact these pieces are having on musicians everywhere,
is enough to consider these works to be truly great. - WRONG. First, i have a problem with the word 'enough'. Second, the option itself limits the reach of the drumming.
(D) The piece of art in the lobby is clearly not classified as truly great, so it follows that it fails to be original. - WRONG. What about the influence. Not covered in this option. Hence wrong.
(E) Since Bach’s music is truly great, it not only has both originality and a major influence on musicians, it has broad popular appeal as well. - WRONG. The timeline point of view is extended here in this choice. It goes in a direction that is irrelevant to the argument by broadening/widening the scope of the argument i.e. what that art-form is at present. Present status is not concerned.
Answer B.