(A) The argument does not require the scientific theory to be definitively proven, only that the observed phenomenon (comedies leading to higher food sales) exists. The reasoning behind this effect—whether due to neurotransmitters or another factor—is secondary. Even if the scientific explanation is later disproven, the recommendation to show more comedies would still be valid as long as the pattern of increased food sales remains true. Therefore, the argument does not assume that the theory must be correct, making this option incorrect.
(B) The fact that increased food consumption affects calorie intake and physiology is unrelated to the argument’s goal. The cinema’s focus is on selling more food, not on how eating influences the body. Even if eating more food had a significant physiological impact, this would not affect the decision on which movies to show. The argument only needs to establish that comedies result in higher food sales, not why eating more food matters physiologically. Thus, this is not an assumption that supports the conclusion.
(D) The argument is solely concerned with maximizing food sales, not determining the primary revenue source of cinemas. Even if ticket sales or other streams (such as advertisements or membership programs) generate more profit than food, this does not affect the recommendation to show more comedies. The argument does not assume that food sales are the most important source of income—only that they can be increased through movie selection. Since the conclusion remains valid even if food sales are a minor revenue stream, this option is incorrect.
(E) The argument is comparing food sales *during the interval* between different film genres. Whether some people order food before the movie does not affect the key comparison. Even if some audience members buy food earlier, that does not change the fact that comedies lead to higher food sales than romantic dramas. The argument assumes that movie genre influences hunger levels during the interval, regardless of prior purchases. Therefore, this option does not represent an assumption on which the conclusion depends.
(C) is the correct assumption because the argument relies on comedies increasing food sales *more than all other types of films*, not just romantic dramas. If another genre stimulated even greater food sales, then the conclusion to show comedies as often as possible would not be justified. The assumption fills this gap by ensuring that comedies are the optimal choice for maximizing food sales.