Thank you for using the timer - this advanced tool can estimate your performance and suggest more practice questions. We have subscribed you to Daily Prep Questions via email.
Customized for You
we will pick new questions that match your level based on your Timer History
Track Your Progress
every week, we’ll send you an estimated GMAT score based on your performance
Practice Pays
we will pick new questions that match your level based on your Timer History
Not interested in getting valuable practice questions and articles delivered to your email? No problem, unsubscribe here.
Thank you for using the timer!
We noticed you are actually not timing your practice. Click the START button first next time you use the timer.
There are many benefits to timing your practice, including:
Struggling to find the right strategies to score a 99 %ile on GMAT Focus? Riya (GMAT 715) boosted her score by 100-points in just 15 days! Discover how the right mentorship, tailored strategies, and an unwavering mindset can transform your GMAT prep.
In Episode 4 of our GMAT Ninja CR series, we tackle the most intimidating CR question type: Boldface & "Legalese" questions. If you've ever stared at an answer choice that reads, "The first is a consideration introduced to counter a position that...
Looking for your GMAT motivation to break through the score plateau? Pragati improved her score by massive 160 points with strategic guidance and hard-work! Find out how personalized mentorship and a strong mindset can turn GMAT struggles into success.
Most GMAT test-takers are intimidated by the hardest GMAT Verbal questions. In this session, Target Test Prep GMAT instructor Erika Tyler-John, a 100th percentile GMAT scorer, will show you how top scorers break down challenging Verbal questions..
Register for the GMAT Club Virtual MBA Spotlight Fair – the world’s premier event for serious MBA candidates. This is your chance to hear directly from Admissions Directors at nearly every Top 30 MBA program..
Be sure to select an answer first to save it in the Error Log before revealing the correct answer (OA)!
Difficulty:
(N/A)
Question Stats:
86%
(02:12)
correct 14%
(02:05)
wrong
based on 28
sessions
History
Date
Time
Result
Not Attempted Yet
Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. The director claims that this production is as similar to the original production as is possible in a modern theater. Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century American comedian Groucho Marx, Marx's comic style was very much within the comic acting tradition that had begun in sixteenth-century Italy.
The considerations given best serve as part of an argument that (A) modern audiences would find it hard to tolerate certain characteristics of a historically accurate performance of an eighteenth-century play (B) Groucho Marx once performed the part of the character Harlequin in La Finestrina (C) in the United States the training of actors in the twentieth century is based on principles that do not differ radically from those that underlay the training of actors in eighteenth-century Italy (D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director's claim (E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on comic performances of Groucho Marx
Please explain in a detailed reasoning.Nice explanation will be appreciated with kudos ) . OA after explanations.
Archived Topic
Hi there,
This topic has been closed and archived due to inactivity or violation of community quality standards. No more replies are possible here.
Still interested in this question? Check out the "Best Topics" block below for a better discussion on this exact question, as well as several more related questions.
Theater Critic: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century. The director claims that this production is as similar to the original production as is possible in a modern theater. Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century American comedian Groucho Marx, Marx's comic style was very much within the comic acting tradition that had begun in sixteenth-century Italy.
The considerations given best serve as part of an argument that (A) modern audiences would find it hard to tolerate certain characteristics of a historically accurate performance of an eighteenth-century play (B) Groucho Marx once performed the part of the character Harlequin in La Finestrina (C) in the United States the training of actors in the twentieth century is based on principles that do not differ radically from those that underlay the training of actors in eighteenth-century Italy (D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director's claim (E) the director of La Finestrina must have advised the actor who plays Harlequin to model his performance on comic performances of Groucho Marx
Please explain in a detailed reasoning.Nice explanation will be appreciated with kudos ) . OA after explanations.
Show more
Is the OA id D as this is the only things that can be properly inferred...i may be wrong
Premise 1: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century Premise 2: Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century American comedian Groucho Marx, Marx's comic style was very much within the comic acting tradition that had begun in sixteenth-century Italy
Conclusion: The director claims that this production is as similar to the original production as is possible in a modern theater
This is an assumption question. The answer choice that logically denied invalids the argument is the correct answer choice.
(D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director's claim
logically denied the performance of the actor who plays Harlequin in La Finestrina serves as evidence against the director's claim
if this is true the conclusion of the director cannot be true. So this should be the correct answer choice.
Premise 1: The play La Finestrina, now at Central Theater, was written in Italy in the eighteenth century Premise 2: Although the actor who plays Harlequin the clown gives a performance very reminiscent of the twentieth-century American comedian Groucho Marx, Marx's comic style was very much within the comic acting tradition that had begun in sixteenth-century Italy
Conclusion: The director claims that this production is as similar to the original production as is possible in a modern theater
This is an assumption question. The answer choice that logically denied invalids the argument is the correct answer choice.
(D) the performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director's claim
logically denied the performance of the actor who plays Harlequin in La Finestrina serves as evidence against the director's claim
if this is true the conclusion of the director cannot be true. So this should be the correct answer choice.
This is a Must Be True question. The question is: "The considerations given best serve as part of an argument that" can be paraphrased as "The statements above support which of the following?"
IMO D is the correct answer. Here's my reasoning:
D) The performance of the actor who plays Harlequin in La Finestrina does not serve as evidence against the director's claim
The director claims that this production is as similar to the original production as is possible in a modern theater.
The premise states that the actor gives a performance very reminiscent of Groucho Marx. Groucho Marx's comic style is one that started in the 16th century Italy. Since the La Finestrina was written in the 18th century, so the actor must have performed a performance that was similar to that of the actor in the original La Finestrina. In conclusion, this actor performance cannot serve as evidence against the director's claim. It is either neutral or strengthen the claim.
Archived Topic
Hi there,
This topic has been closed and archived due to inactivity or violation of community quality standards. No more replies are possible here.
Still interested in this question? Check out the "Best Topics" block above for a better discussion on this exact question, as well as several more related questions.
A member just gave Kudos to this thread, showing it’s still useful. I’ve bumped it to the top so more people can benefit. Feel free to add your own questions or solutions.