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Opera singers and dry air don't get along. In fact, the best professio

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Opera singers and dry air don't get along. In fact, the best professio [#permalink]

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New post 11 Apr 2015, 04:35
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Opera singers and dry air don't get along. In fact, the best professional singers require humid settings to help them achieve the right pitch. “When your vocal cords are really dry, they're a little less elastic,” says Caleb Everett, an anthropological linguist at the University of Miami. As a result, singers experience tiny variations in pitch, called jitter, as well as wavering volume—both of which contribute to rougher refrains.

If the amount of moisture in the air influences musical pitch, Everett wondered, has that translated into the development of fewer tonal languages in arid locations? Tonal languages, such as Mandarin Chinese and Cherokee, rely on variations in pitch to differentiate meaning: the same syllable spoken at a higher pitch can specify a different word if spoken at a lower pitch or in a rising or falling tone.

In a survey of more than 3,700 languages, Everett and his collaborators found that those with complex tones do indeed occur less frequently in dry areas than they do in humid ones, even after accounting for the clustering of related languages. For instance, more than half of the hundreds of languages spoken in tropical sub-Saharan locations feature complex tones, whereas none of the two dozen languages in the Sahara do. Overall, only one in 30 complex tonal languages flourished in dry areas; one in three nontonal languages cropped up in those same regions. The results appeared in February in the Proceedings of the National Academy of Sciences USA.
Those conclusions run counter to a traditional linguistic view that the structure of language is independent of its environment, says Robert Ladd, a linguistics researcher at the University of Edinburgh. To bolster the Miami group's findings, researchers in the field will need to prove that tonal languages require a precise control of pitch.

Along those lines, Everett and his team will next measure experimentally how well people voice complex tones in arid air. Although the evolution of tonal languages over the course of centuries cannot be observed, witnessing the physiological effect under controlled conditions could really make the hypothesis sing.

1) The author's tone in the passage is
a) affirmative
b) skeptic
c) indecisive
d) ignorant
e) insisting


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Re: Opera singers and dry air don't get along. In fact, the best professio [#permalink]

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New post 11 Apr 2015, 04:39
can someone please help to get this question answered ?

thanks
lucky
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Re: Opera singers and dry air don't get along. In fact, the best professio [#permalink]

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Dear Lucky,

I am going to spend a couple of minutes to clarify once again the way to post on the board

According to the rules rc-forum-rules-must-read-155874.html you must

1) post ALL the questions along the passage and NOT only one

2) provide the OA in spoiler /[spoiler=]OA[spoiler]

3) the passage being crafted in a good manner

Back to your question

you can tackle the tone of the passage thinking, in a more general way, that it is or positive or negative on the GMAT. rarely it is neutral

Moreover, you can infer it from the whole passage. No matter what.

Hope this helps

regards
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Re: Opera singers and dry air don't get along. In fact, the best professio [#permalink]

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New post 08 Apr 2017, 06:50
what is the answer to this question. Is it E or A ??

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Re: Opera singers and dry air don't get along. In fact, the best professio [#permalink]

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New post 10 Apr 2017, 00:32
I believe its (A)
because the author tone is supporting a theory and not insisting therefore its not (E)

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Re: Opera singers and dry air don't get along. In fact, the best professio [#permalink]

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New post 17 Oct 2017, 02:03
why it is not indecisive ?
Is OA Insisting or affirmative ?

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Re: Opera singers and dry air don't get along. In fact, the best professio   [#permalink] 17 Oct 2017, 02:03
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Opera singers and dry air don't get along. In fact, the best professio

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