Thank you for using the timer - this advanced tool can estimate your performance and suggest more practice questions. We have subscribed you to Daily Prep Questions via email.
Customized for You
we will pick new questions that match your level based on your Timer History
Track Your Progress
every week, we’ll send you an estimated GMAT score based on your performance
Practice Pays
we will pick new questions that match your level based on your Timer History
Not interested in getting valuable practice questions and articles delivered to your email? No problem, unsubscribe here.
Thank you for using the timer!
We noticed you are actually not timing your practice. Click the START button first next time you use the timer.
There are many benefits to timing your practice, including:
Stuck at the same GMAT score? Plateaus aren’t about effort—they’re about approach. Watch Srikar’s journey to uncover what truly drives score improvement—and how you can apply it to break your plateau.
Struggling to find the right strategies to score a 99 %ile on GMAT Focus? Riya (GMAT 715) boosted her score by 100-points in just 15 days! Discover how the right mentorship, tailored strategies, and an unwavering mindset can transform your GMAT prep.
Be sure to select an answer first to save it in the Error Log before revealing the correct answer (OA)!
Difficulty:
45%
(medium)
Question Stats:
89%
(01:58)
correct 11%
(04:20)
wrong
based on 9
sessions
History
Date
Time
Result
Not Attempted Yet
The Board of Trustees of the Federici Art Museum has decided to sell some works from its collection in order to raise the funds necessary to refurbish its galleries. Although this may seem like a drastic remedy, the curator has long maintained that among the paintings that the late Ms. Federici collected for the museum were several unsuccessful immature works by Renoir and Cézanne that should be sold because they are of inferior quality and so add nothing to the overall quality of the museum’s collection. Hence, the board’s action will not detract from the quality of the museum’s collection. Which one of the following, if true, most weakens the argument? (A) The directors of an art museum can generally raise funds for refurbishing the building in which the museum’s collection is housed by means other than selling part of its collection. (B) The quality of an art collection is determined not just by the quality of its paintings, but by what its collection demonstrates about the development of the artistic talent and ideas of the artists represented. (C) The immature works by Renoir and Cézanne that were purchased by Ms. Federici were at that time thought by some critics to be unimportant juvenile works. (D) Those people who speculate in art by purchasing artworks merely to sell them at much higher prices welcome inflation in the art market, but curators of art museums regret the inflation in the art market. (E) The best work of a great artist demands much higher prices in the art market than the worst work of that same artist.
Still interested in this question? Check out the "Best Topics" block below for a better discussion on this exact question, as well as several more related questions.
The Board of Trustees of the Federici Art Museum has decided to sell some works from its collection in order to raise the funds necessary to refurbish its galleries. Although this may seem like a drastic remedy, the curator has long maintained that among the paintings that the late Ms. Federici collected for the museum were several unsuccessful immature works by Renoir and Cézanne that should be sold because they are of inferior quality and so add nothing to the overall quality of the museum’s collection. Hence, the board’s action will not detract from the quality of the museum’s collection. Which one of the following, if true, most weakens the argument? (A) The directors of an art museum can generally raise funds for refurbishing the building in which the museum’s collection is housed by means other than selling part of its collection. (B) The quality of an art collection is determined not just by the quality of its paintings, but by what its collection demonstrates about the development of the artistic talent and ideas of the artists represented. (C) The immature works by Renoir and Cézanne that were purchased by Ms. Federici were at that time thought by some critics to be unimportant juvenile works. (D) Those people who speculate in art by purchasing artworks merely to sell them at much higher prices welcome inflation in the art market, but curators of art museums regret the inflation in the art market. (E) The best work of a great artist demands much higher prices in the art market than the worst work of that same artist.
Still interested in this question? Check out the "Best Topics" block above for a better discussion on this exact question, as well as several more related questions.