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16 Sep 2006, 06:20
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Art historians’ approach to French Impressionism has changed significantly in recent years. While a decade ago Rewald’s History of Impressionism, which emphasizes Impressionist painters’ stylistic innovations, was unchallenged, the literature on impressionism has now become a kind of ideological battlefield, in which more attention is paid to the subject matter of the paintings, and to the social and moral issues raised by it, than to their style. Recently, politically charged discussions that address the impressionists’ unequal treatment of men and women and the exclusion of modern industry and labor from their pictures have tended to crowd out the stylistic analysis favored by Rewald and his followers. In a new work illustrating this trend, Robert L. Herbert dissociates himself from formalists whose preoccupation with the stylistic features of impressionist painting has, in Herbert’s view, left the history out of art history; his aim is to restore impressionist paintings “to their sociocultural context.â€
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16 Sep 2006, 16:37
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I'll go with (B) ....
Thesis started in 1st para .... negeted Herbert's logic in second and restated the thesis. .... negeted Herbert's logic further to conclude with a more revided thesis ...
Thesis started in 1st para .... negeted Herbert's logic in second and restated the thesis. .... negeted Herbert's logic further to conclude with a more revided thesis ...
