Every year, thousands of students graduate from fine art programs conducted by schools all over the country. Most art galleries and museums, however, only lend about 1% of their exhibit space to unknown contemporary artists. It is clear that a successful career as an artist is more like a fantasy than a possible achievement.
Which of the following, if true, casts the most doubt on the argument's conclusion?
A) Fine art programs have always been popular because they offer students a true opportunity to express themselves.
B) Although some art galleries are government institutions, many are private companies that operate in a similar way to ordinary retailers.
C) The development of the Internet, and communications technology in general, has created a constant need for talented artists of all kinds.
D) Last year, 61% of people under the age of 30 who filed for unemployment benefits had degrees in the fine arts.
E) Because today's art market is a global one, individual artists must compete with thousands of others from all over the world, if they are to become successful.