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Official Explanation:

Recently, the manuscript of a short musical composition bearing the name of the composer Gianni Fortuna was discovered in a library that was founded in 1661. Some musicologists believe that the piece is actually an arrangement of an original composition by Fortuna’s contemporary Fredryk Bowles, pointing to the fact that the two pieces, which are in the same key, share approximately 85% of the same melody.

Which of the following, if true, would weaken the conclusion drawn by the musicologists?

(A) There is evidence that Fortuna and Bowles never knew each other personally.
(B) Fortuna primarily wrote music that was used in religious ceremonies, while Bowles mostly composed music for court dances and festivals.
(C) Fortuna, unlike Bowles, was known to have visited the library in which the work was discovered.
(D) Both compositions have more in common with an earlier piece written by a composer who lived around the same time as Fortuna and Bowles than they have with each other.
(E) The Fortuna piece was meant to be played at a considerably faster tempo than was the Bowles piece.

Question Type: Weaken
Boil It Down: Library found a musical composition with Fortuna’s name on it, but some musicologists think it is just a different arrangement of a piece originally written by his contemporary, Fredryk Bowles.
Goal: Find the option that best weakens the argument that the piece was actually written by Bowles.

Analysis:

This question asks us to weaken the conclusion.

Conclusion: The piece in question is actually an arrangement of an original piece by Bowles; it is not an original work by Fortuna.

Evidence: The pieces are very similar. They are in the same key and their melodies are about 85% similar.

Assumption: The two pieces aren’t based on another work. If this were not true – if they WERE based on another work – the conclusion would be weakened.

Choice D strongly suggests that the two pieces were actually based on someone else’s work. Therefore, Fortuna’s piece was not based on an original work by Bowles, weakening the conclusion.


(A) There is evidence that Fortuna and Bowles never knew each other personally.
Fortuna’s piece could have been an arrangement of Bowles’ piece even if the two men didn’t meet. This does not weaken the conclusion.

(B) Fortuna primarily wrote music that was used in religious ceremonies, while Bowles mostly composed music for court dances and festivals.
The musical use might have been different, but that doesn’t mean that Fortuna’s piece could not have been based on Bowles’.

(C) Fortuna, unlike Bowles, was known to have visited the library in which the work was discovered.
This is completely irrelevant to the argument. Though the library is mentioned in the argument, it does not affect the logic of the argument.

(D) Both compositions have more in common with an earlier piece written by a composer who lived around the same time as Fortuna and Bowles than they have with each other.
This is the correct choice. It denies the assumption given above, and denying an assumption will always weaken a conclusion. If both pieces were based on a third piece, then Fortuna’s piece was not based on Bowles’.

(E) The Fortuna piece was meant to be played at a considerably faster tempo than was the Bowles piece.
One piece could have been based on the other even if the tempos were different. The conclusion does not depend on the two pieces being identical.


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