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Updated on: 18 Mar 2019, 00:34
Originally posted by michaelarbeid on 14 Jun 2018, 01:09.
Last edited by Bunuel on 18 Mar 2019, 00:34, edited 4 times in total.
Last edited by Bunuel on 18 Mar 2019, 00:34, edited 4 times in total.
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A
Be sure to select an answer first to save it in the Error Log before revealing the correct answer (OA)!
Difficulty:
55%
(hard)
Question Stats:
66% (02:22) correct
34%
(02:19)
wrong
based on 247
sessions
History
Date
Time
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Not Attempted Yet
Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus.
A. Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus.
B. Because of the author’s resistance to giving us a straightforward crime story, despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, hence the novel has a problem with pace and focus.
C. Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, so the novel has a problem with pace and focus.
D. Because the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus.
E. Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus.
A. Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus.
B. Because of the author’s resistance to giving us a straightforward crime story, despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, hence the novel has a problem with pace and focus.
C. Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, so the novel has a problem with pace and focus.
D. Because the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus.
E. Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus.
SajjitaKundu
14 Jun 2018, 02:45
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What is the answer? D?
Can you tell me the source of the question? This scentence doesn't make much sense to me.
Can you tell me the source of the question? This scentence doesn't make much sense to me.
14 Jun 2018, 05:23
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Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus.
A
Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus. --> correct
B
Because of the author’s resistance to giving us a straightforward crime story, despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, hence the novel has a problem with pace and focus. --> All dependent clauses
C
Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, so the novel has a problem with pace and focus. --> no need of because of & so together
D
Because the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus. --> no verb in the because clause
E
Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus. --> "Because of <noun>" & sentence with "convinces" can't be parallel
A
Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus. --> correct
B
Because of the author’s resistance to giving us a straightforward crime story, despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, hence the novel has a problem with pace and focus. --> All dependent clauses
C
Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, so the novel has a problem with pace and focus. --> no need of because of & so together
D
Because the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style that convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus. --> no verb in the because clause
E
Because of the author’s resistance to giving us a straightforward crime story, and despite a vivid and comic prose style convinces us that the narrator really is an awkward, sweet-natured adolescent boy, the novel has a problem with pace and focus. --> "Because of <noun>" & sentence with "convinces" can't be parallel
