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01 Sep 2021, 07:11
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Be sure to select an answer first to save it in the Error Log before revealing the correct answer (OA)!
Difficulty:
15%
(low)
Question Stats:
82% (01:51) correct
18%
(01:52)
wrong
based on 220
sessions
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Jan Micker’s 1652 masterwork Bird’s Eye View of Amsterdam, which had been painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than in most other seventeenth-century Dutch paintings.
(A) which had been painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than in
(B) painted by the artist long before such a vantage point was to become possible, and featuring spatial relationships that are more subtle and intricate than those in
(C) which the artist painted long before the possibility of such a vantage point, featuring spatial relationships that are more subtle and intricate than the ones in
(D) painted long before the possibility of such a vantage point, with spatial relationships that are more subtle and intricate than the ones in
(E) painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than those in
(A) which had been painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than in
(B) painted by the artist long before such a vantage point was to become possible, and featuring spatial relationships that are more subtle and intricate than those in
(C) which the artist painted long before the possibility of such a vantage point, featuring spatial relationships that are more subtle and intricate than the ones in
(D) painted long before the possibility of such a vantage point, with spatial relationships that are more subtle and intricate than the ones in
(E) painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than those in
02 Sep 2021, 09:22
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(A) which had been painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than in --- relationships more intricate than in ...... not paralell
(B) painted by the artist long before such a vantage point was to become possible, and featuring spatial relationships that are more subtle and intricate than those in ---- missing main verb
(C) which the artist painted long before the possibility of such a vantage point, featuring spatial relationships that are more subtle and intricate than the ones in
----- missing main verb and possibility of such a vantage point sounds awkward
(D) painted long before the possibility of such a vantage point, with spatial relationships that are more subtle and intricate than the ones in
----- missing main verb and possibility of such a vantage point sounds awkward
(E) painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than those in
correct
(B) painted by the artist long before such a vantage point was to become possible, and featuring spatial relationships that are more subtle and intricate than those in ---- missing main verb
(C) which the artist painted long before the possibility of such a vantage point, featuring spatial relationships that are more subtle and intricate than the ones in
----- missing main verb and possibility of such a vantage point sounds awkward
(D) painted long before the possibility of such a vantage point, with spatial relationships that are more subtle and intricate than the ones in
----- missing main verb and possibility of such a vantage point sounds awkward
(E) painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than those in
correct
02 Sep 2021, 22:56
Kudos
Bookmarks
Jan Micker’s 1652 masterwork Bird’s Eye View of Amsterdam, which had been painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than in most other seventeenth-century Dutch paintings.
(A) which had been painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than in Incorrect
comparison problem - than in what? features in most other seventeenth-century Dutch paintings, so those needed
(B) painted by the artist long before such a vantage point was to become possible, and featuring spatial relationships that are more subtle and intricate than those in Incorrect
masterwork Bird’s Eye View of Amsterdam - is a fragment
(C) which the artist painted long before the possibility of such a vantage point, featuring spatial relationships that are more subtle and intricate than the ones in Incorrect
the ones uses wrong
(D) painted long before the possibility of such a vantage point, with spatial relationships that are more subtle and intricate than the ones in Incorrect
same as D
(E) painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than those in Correct
(A) which had been painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than in Incorrect
comparison problem - than in what? features in most other seventeenth-century Dutch paintings, so those needed
(B) painted by the artist long before such a vantage point was to become possible, and featuring spatial relationships that are more subtle and intricate than those in Incorrect
masterwork Bird’s Eye View of Amsterdam - is a fragment
(C) which the artist painted long before the possibility of such a vantage point, featuring spatial relationships that are more subtle and intricate than the ones in Incorrect
the ones uses wrong
(D) painted long before the possibility of such a vantage point, with spatial relationships that are more subtle and intricate than the ones in Incorrect
same as D
(E) painted long before such a vantage point became possible, features spatial relationships that are more subtle and intricate than those in Correct
