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Explanation

2. It can be inferred that the author of the passage expects that the experience of the student mentioned as having studied Wife in the Right would have which of the following effects?

Explanation

In the passage, the student studying Griffith's play "Wife in the Right" discovered that its title was transformed into "A Wife in the Night" in Watt's Bibliotheca Britannica. This experience highlights the discrepancy between the original title and its representation in a reference source, indicating that the student encountered an error or inconsistency. The passage states that such experiences are common when working on a neglected author like Griffith, and they serve to "vaccinate the student... against credulous use of reference sources."

From this, we can infer that the author expects the student's experience to teach them to question the accuracy of certain kinds of information sources when studying neglected authors. The student's encounter with the title discrepancy encourages a critical approach to reference sources, indicating that they should be used with caution and that not all information found in such sources can be blindly trusted. Therefore, the correct answer is (B) It would teach the student to question the accuracy of certain kinds of information sources when studying neglected authors.

Answer: B
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Explanation

6. It can be inferred that which of the following is most likely to be among the “issues” mentioned in line (Highlighted)?

Explanation

In the passage, it is mentioned that Elizabeth Griffith, an eighteenth-century writer, was successful in her own time, as indicated by her continued productivity and favorable reviews. However, despite her success, her work has been excluded from the canon and has virtually disappeared from literary history. The passage states that Griffith's exclusion from the canon raises issues concerning the current canon.

Based on this information, it can be inferred that one of the likely "issues" mentioned in the passage (line M) is why Griffith's work, despite being popular in her own century, has been excluded from the canon. The passage suggests that the neglect of traditional scholarship and lack of training in historical scholarship and textual editing may have contributed to the exclusion of women writers like Griffith from the canon. Therefore, the correct answer is (A) Why has the work of Griffith, a woman writer who was popular in her own century, been excluded from the canon?

Answer: A
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Explanation

7. It can be inferred that the author of the passage considers traditional scholarly methods courses to be

Explanation

In the passage, it is mentioned that traditional scholarly methods courses have artificial aspects and typically involve assigning a large number of small problems drawn from the entire range of historical periods. However, the experimental version of the scholarly methods course described in the passage deviated from this conventional approach. Instead of the broad range of small problems, students engaged in a collective effort to do original work on a neglected eighteenth-century writer, Elizabeth Griffith. This approach aimed to give students an authentic experience of literary scholarship and inspire them to take responsibility for the quality of their own work.

Based on this information, it can be inferred that the author of the passage considers traditional scholarly methods courses to be too wide-ranging to approximate genuine scholarly activity. The traditional approach of assigning numerous small problems from different historical periods is seen as artificial and lacking in authenticity. The passage suggests that focusing on a specific writer and allowing students to delve deeply into their work, as in the case of Elizabeth Griffith, provides a more meaningful and genuine scholarly experience.

Therefore, the correct answer is (E) too wide-ranging to approximate genuine scholarly activity.

Answer: E
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Need good explanations for Q5 & 6
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5. Which of the following best describes the function of the last paragraph in relation to the passage as a whole?

The passage argues that students need traditional scholarly methods and describes an experimental course built around original research on Elizabeth Griffith. The last paragraph gives a concrete example of what students experienced in that course: one student discovered an error in a reference source and learned not to rely on such sources uncritically.

(A) It summarizes the benefits that students can derive from the experimental scholarly methods course.

This is too broad. The last paragraph does mention one benefit, but it does not summarize all the benefits of the course.

(B) It provides additional reasons why Griffith’s work raises issues having to do with the canon of authors.

This is not the main function. The canon issue is discussed earlier, especially in the third paragraph. The last paragraph focuses more on students’ research experience.

(C) It provides an illustration of the immediate nature of the experiences students can derive from the experimental scholarly methods course.

This is correct. The last paragraph gives a specific example of a student doing real scholarly work and discovering a mistake in a reference source. That illustrates the kind of direct learning experience the course was designed to provide.

(D) It contrasts the experience of a student in the experimental scholarly methods course with the experience of a student in the traditional course.

This is incorrect. The last paragraph does not compare one student’s experience with a traditional-course experience.

(E) It provides information that emphasizes the suitability of Griffith’s work for inclusion in the canon of authors.

This is incorrect. The paragraph is not mainly arguing that Griffith should be included in the canon. It shows how studying neglected writers gives students authentic scholarly experience.

Answer: (C)
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Hi ArmaanBajaj,

Both of these come down to finding the exact line the question is pointing at, and not letting the vivid title-error story pull you toward the wrong paragraph. Let me take them one at a time.

Q5 - Function of the last paragraph

The last paragraph doesn't add a new argument - it drops in a single concrete story: a student gets a first edition of Wife in the Right, then is "shocked and outraged" to find the title miscopied as A Wife in the Night. That's a real, firsthand thing that happened to a student in the course.

So ask: why is that story here? To show what the course actually feels like - the direct, real experiences it gives students. That's exactly (C) - an illustration of the immediate (direct, hands-on) nature of those experiences.

Why the tempting ones fail:

- (A) says summarizes benefits. But one anecdote isn't a summary - it's a single example. Too broad.
- (B) and (E) are about the canon - that's paragraph 3's business, not this paragraph's.
- (D) claims a contrast with a traditional-course student. No such comparison appears here.

Q6 - The "issues" mentioned

Here's the key move: the word "issues" lives in paragraph 3, not the last paragraph. Reread that line:

"because Griffith was successful in the eighteenth century... her exclusion from the canon and virtual disappearance from literary history also helped raise issues concerning the current canon."

The issue is the clash: she was popular then, yet she's shut out of the canon now. That is precisely (A) - why has a woman writer who was popular in her own century been excluded from the canon?

The trap is (D) - "How did the error in the title come to be made?" It feels relevant because the title mix-up is the most memorable moment in the passage. But that error is about credulous use of reference sources, not about the canon. Different paragraph, different point.

- (B), (C), (E) all dwell on Griffith's era - her politics, her reviews, her output. None of them touches the canon question, which is what "issues" refers to.

Bottom line for both: pin the quoted word to its own paragraph, and the right answer follows.

Answer: C; A

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6. It can be inferred that which of the following is most likely to be among the “issues” mentioned in line (Highlighted)?

The passage says Griffith was successful in the eighteenth century, but later disappeared from literary history and was excluded from the canon. The key issue is therefore why a once-successful woman writer was left out of the current canon.

(A) Why has the work of Griffith, a woman writer who was popular in her own century, been excluded from the canon?

This is correct. The passage says Griffith’s success in the eighteenth century makes her exclusion from the canon significant. That naturally raises the question of why her work was excluded despite her earlier popularity.

(B) In what ways did Griffith’s work reflect the political climate of the eighteenth century?

This is not the issue. The passage does not focus on Griffith’s political context.

(C) How was Griffith’s work received by literary critics during the eighteenth century?

This is related background, but not the issue raised. The passage already says she received favorable reviews.

(D) How did the error in the title of Griffith’s play come to be made?

This is an editorial or reference-source issue, not a canon issue. It belongs more to the final paragraph’s example.

(E) How did critical reception of Griffith’s work affect the quantity and quality of that work?

This is not supported. The passage does not discuss how reviews affected Griffith’s productivity or quality.

Answer: (A)
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But in Q6, the highlighted part is specifically about Editorial issues
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Hi ArmaanBajaj,

Both of these come down to finding the exact line the question is pointing at, and not letting the vivid title-error story pull you toward the wrong paragraph. Let me take them one at a time.

Q5 - Function of the last paragraph

The last paragraph doesn't add a new argument - it drops in a single concrete story: a student gets a first edition of Wife in the Right, then is "shocked and outraged" to find the title miscopied as A Wife in the Night. That's a real, firsthand thing that happened to a student in the course.

So ask: why is that story here? To show what the course actually feels like - the direct, real experiences it gives students. That's exactly (C) - an illustration of the immediate (direct, hands-on) nature of those experiences.

Why the tempting ones fail:

- (A) says summarizes benefits. But one anecdote isn't a summary - it's a single example. Too broad.
- (B) and (E) are about the canon - that's paragraph 3's business, not this paragraph's.
- (D) claims a contrast with a traditional-course student. No such comparison appears here.

Q6 - The "issues" mentioned

Here's the key move: the word "issues" lives in paragraph 3, not the last paragraph. Reread that line:

"because Griffith was successful in the eighteenth century... her exclusion from the canon and virtual disappearance from literary history also helped raise issues concerning the current canon."

The issue is the clash: she was popular then, yet she's shut out of the canon now. That is precisely (A) - why has a woman writer who was popular in her own century been excluded from the canon?

The trap is (D) - "How did the error in the title come to be made?" It feels relevant because the title mix-up is the most memorable moment in the passage. But that error is about credulous use of reference sources, not about the canon. Different paragraph, different point.

- (B), (C), (E) all dwell on Griffith's era - her politics, her reviews, her output. None of them touches the canon question, which is what "issues" refers to.

Bottom line for both: pin the quoted word to its own paragraph, and the right answer follows.

Answer: C; A


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Hi ArmaanBajaj,

Good catch that the word "issues" shows up twice in paragraph 3. The whole doubt comes down to which occurrence Q6 is pointing at, so let's separate them.

The two sentences in paragraph 3:

- "The Platonic Wife exists in three versions, enough to provide illustrations of editorial issues..." - this is about the three-version editing problem.
- "...her exclusion from the canon and virtual disappearance from literary history also helped raise issues concerning the current canon." - this is a different "issues."

Q6 asks about the "issues" that are "raised" - and the only sentence that talks about issues being raised is the second one, the canon sentence. The "editorial issues" phrase describes what the three versions illustrate for teaching purposes; nothing is being "raised" there. So the highlighted word the question tracks is the canon one, not the editorial one.

Now read what that canon sentence actually sets up:

Griffith was successful in the eighteenth century (continued productivity, favorable reviews), yet she's been dropped from the canon. That clash is the issue. Put as a question: why was a popular woman writer excluded from the canon? That's exactly choice (A).

Here's the useful test for the tempting choices: does the answer touch the canon?

- (B) her politics, (C) her critical reception, (E) how reviews affected her output - all about Griffith's era, none about the canon. Out.
- (D) the title error - that's a reference-source / editorial matter (the last-paragraph point), not a canon matter. This is the version of your instinct that the question is baiting.

So your radar for "editorial" was firing on a real phrase in the passage - it just isn't the "issues" this question quotes. Pin the quoted word to its own sentence ("raise issues concerning the current canon"), and (A) is the only fit.

Answer: A

ArmaanBajaj
But in Q6, the highlighted part is specifically about Editorial issues

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