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Bunuel
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argument analysis :
Clritics claim is that Organ symphonis of L.Vierne are not religious music becasue unlike works of Handel L.Vierne's work is not based on religious texts.
Based on this he concludes L.Vierne's work in not devinely inspired .
Conclusion : If music not based on religious text , its not devinely inspired .
pre-thinking we dont know if it is mandatory for music to be basd on religious text for it to be devinely inspired.



(A) takes for granted that all religious music is inspiring -- irrelevant , becasue we are discussin that what are the organ symphonies inspired by ; not if music is inspiring

(B) confuses two different meanings of the term “religious” - - irrelevant

(C) overlooks the possibility that some organ music is not divinely inspired --this sounds correct

(D) confuses two different meanings of the term “symphonies” - he compares symphonies of Handel and L.Vierne but not the meaning of term "symphonies"

(E) takes for granted that all organ symphonies are religious music -- this is exterme as it is generalizing all organ symphonies. it may actually be opposite becasue he is saying organ symphonies of L.Vierne are not religious
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Divinely inspired
can anyone in simple terms
what that phrase means please
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Nice question.

Some People:
He/She says that the organ symphonies aren't religious music because it is NOT from religious texts.

Music Critic:
He/She says that it IS religious music because it is divinely inspired.

Clearly we see two different meanings of the term "religious" here. And it could be that all religious music must be divinely inspired, but the argument must attack the "religious texts" part and not avoid that and move to a different tangent. Thus this is the flaw.
Bunuel
Music critic: Some people argue that, unlike certain works of Handel, which set to music familiar religious texts, the organ symphonies of Louis Vierne are not religious music. Quite the contrary. Sitting in Notre Dame cathedral in Paris and hearing his organ symphonies demonstrates that Vierne’s works are divinely inspired.

The music critic’s reasoning is vulnerable to criticism on the ground that it

(A) takes for granted that all religious music is inspiring

(B) confuses two different meanings of the term “religious”

(C) overlooks the possibility that some organ music is not divinely inspired

(D) confuses two different meanings of the term “symphonies”

(E) takes for granted that all organ symphonies are religious music
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