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02 Jun 2023, 02:47
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Explanation
7. The author's attitude toward proponents of the theory of a female sensibility can be best described as
Difficulty Level: 600-650
Explanation
To determine the author's attitude toward proponents of the theory of a female sensibility, we need to examine the tone and language used in the passage. Let's analyze the passage to identify the author's attitude.
The passage presents different perspectives on the theory of a female sensibility. It mentions that proponents of the theory insist on the existence of an authentic artistic language specific to women, corresponding to their distinct social experience and independent of "male-defined" art. However, the passage also highlights the objections and criticisms raised against this theory. Opponents argue that it restricts women by limiting them to certain "feminine" shapes, colors, forms, and images. They also view the rise of a trendy "feminine sensibility" as opportunist and suggest that it aligns with current fashionable art conventions.
The language used in the passage suggests a critical and skeptical tone toward the theory of a female sensibility. The author presents the theory as possibly no more than a rehabilitated artistic ghetto with unsatisfactory answers to defining feminist art. There is an implication that the theory may be misguided or misguided in its approach. The passage also highlights the objections and criticisms raised against the theory, which align with the author's perspective.
Considering the critical tone and the presentation of opposing viewpoints, the author's attitude toward proponents of the theory of a female sensibility can be best described as (E) critical. The author appears to question the validity and limitations of the theory, raising concerns about its potential restrictions on women artists and its alignment with art-world fashions.
It's important to note that the author's attitude is subjective and based on the interpretation of the passage. Different readers may have slightly different perspectives on the author's attitude, but a critical tone is most evident in the passage.
Answer: E
Difficulty Level: 600-650
Explanation
To determine the author's attitude toward proponents of the theory of a female sensibility, we need to examine the tone and language used in the passage. Let's analyze the passage to identify the author's attitude.
The passage presents different perspectives on the theory of a female sensibility. It mentions that proponents of the theory insist on the existence of an authentic artistic language specific to women, corresponding to their distinct social experience and independent of "male-defined" art. However, the passage also highlights the objections and criticisms raised against this theory. Opponents argue that it restricts women by limiting them to certain "feminine" shapes, colors, forms, and images. They also view the rise of a trendy "feminine sensibility" as opportunist and suggest that it aligns with current fashionable art conventions.
The language used in the passage suggests a critical and skeptical tone toward the theory of a female sensibility. The author presents the theory as possibly no more than a rehabilitated artistic ghetto with unsatisfactory answers to defining feminist art. There is an implication that the theory may be misguided or misguided in its approach. The passage also highlights the objections and criticisms raised against the theory, which align with the author's perspective.
Considering the critical tone and the presentation of opposing viewpoints, the author's attitude toward proponents of the theory of a female sensibility can be best described as (E) critical. The author appears to question the validity and limitations of the theory, raising concerns about its potential restrictions on women artists and its alignment with art-world fashions.
It's important to note that the author's attitude is subjective and based on the interpretation of the passage. Different readers may have slightly different perspectives on the author's attitude, but a critical tone is most evident in the passage.
Answer: E
02 Jun 2023, 02:53
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Explanation
8. According to the passage theorists who believe that a female aesthetic exists would agree with all of the following statements EXCEPT:
Difficulty Level: 700
Explanation
(A) Women artists must accept the fact that the current state of male-female relationships is permanent.
As discussed earlier, the passage does not explicitly address this statement in relation to the theory of a female aesthetic. It does mention the assumption that the battle of the sexes is eternal and historical, but it does not necessarily imply that theorists who believe in a female aesthetic advocate for accepting the current state as permanent. Therefore, it cannot be definitively determined if theorists who believe in a female aesthetic would agree or disagree with this statement.
(B) Women creating feminist art use images in a way no male artist would.
This statement aligns with the perspective of proponents of the female aesthetic, who argue for an authentic artistic language specific to women. They believe in the existence of a female sensibility that involves imagery and formal style distinct from male-defined art. Therefore, theorists who believe in a female aesthetic would likely agree with this statement.
(C) Women who create works illustrative of the female aesthetic must conform to current conventions of art-world fashions.
This statement suggests that women who create works illustrative of the female aesthetic must conform to current conventions of art-world fashions. However, the passage presents critics' objections to the female aesthetic, arguing that it resembles the conventions of fashionable art. These critics predict further shifts in the aesthetic as art-world fashions change. Based on this information, theorists who believe in a female aesthetic would likely disagree with this statement because they argue for an authentic artistic language independent of current art-world fashions. Therefore, (C) is the correct answer.
(D) Complete independence from the influence of male artists and the male experience is essential to the creation of women's art.
This statement aligns with the perspective of proponents of the female aesthetic, who argue for an authentic artistic language independent of "male-defined" art. They seek to create a distinct social experience of women in their art. Therefore, theorists who believe in a female aesthetic would likely agree with this statement.
(E) Establishment of a specifically female style may free women artists from the restrictions inherent in an art world dominated by male definitions of experience.
This statement aligns with the perspective of proponents of the female aesthetic. They argue that establishing a specifically female style would liberate women artists from the restrictions imposed by a male-dominated art world. Therefore, theorists who believe in a female aesthetic would likely agree with this statement.
In summary, the correct answer is (C) because theorists who believe in a female aesthetic would likely disagree with the statement that women who create works illustrative of the female aesthetic must conform to current conventions of art-world fashions.
Answer: C
Difficulty Level: 700
Explanation
(A) Women artists must accept the fact that the current state of male-female relationships is permanent.
As discussed earlier, the passage does not explicitly address this statement in relation to the theory of a female aesthetic. It does mention the assumption that the battle of the sexes is eternal and historical, but it does not necessarily imply that theorists who believe in a female aesthetic advocate for accepting the current state as permanent. Therefore, it cannot be definitively determined if theorists who believe in a female aesthetic would agree or disagree with this statement.
(B) Women creating feminist art use images in a way no male artist would.
This statement aligns with the perspective of proponents of the female aesthetic, who argue for an authentic artistic language specific to women. They believe in the existence of a female sensibility that involves imagery and formal style distinct from male-defined art. Therefore, theorists who believe in a female aesthetic would likely agree with this statement.
(C) Women who create works illustrative of the female aesthetic must conform to current conventions of art-world fashions.
This statement suggests that women who create works illustrative of the female aesthetic must conform to current conventions of art-world fashions. However, the passage presents critics' objections to the female aesthetic, arguing that it resembles the conventions of fashionable art. These critics predict further shifts in the aesthetic as art-world fashions change. Based on this information, theorists who believe in a female aesthetic would likely disagree with this statement because they argue for an authentic artistic language independent of current art-world fashions. Therefore, (C) is the correct answer.
(D) Complete independence from the influence of male artists and the male experience is essential to the creation of women's art.
This statement aligns with the perspective of proponents of the female aesthetic, who argue for an authentic artistic language independent of "male-defined" art. They seek to create a distinct social experience of women in their art. Therefore, theorists who believe in a female aesthetic would likely agree with this statement.
(E) Establishment of a specifically female style may free women artists from the restrictions inherent in an art world dominated by male definitions of experience.
This statement aligns with the perspective of proponents of the female aesthetic. They argue that establishing a specifically female style would liberate women artists from the restrictions imposed by a male-dominated art world. Therefore, theorists who believe in a female aesthetic would likely agree with this statement.
In summary, the correct answer is (C) because theorists who believe in a female aesthetic would likely disagree with the statement that women who create works illustrative of the female aesthetic must conform to current conventions of art-world fashions.
Answer: C
02 Jun 2023, 02:55
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Explanation
9. The author quotes Pat Mainardi (lines 54-64) (Text in Red) in order to
Difficulty Level: 700
Explanation
In the passage, the author introduces the idea that several approaches to defining feminist art have emerged within the feminist art movement. One particular approach suggests the existence of a female aesthetic or sensibility specific to women. After discussing the arguments of proponents and critics of the female aesthetic, the author then quotes Pat Mainardi, who presents an alternative perspective on the issue.
Pat Mainardi's quote emphasizes the importance of women artists being free to explore the entire range of art possibilities. She argues that women should define art based on what women artists do, rather than conforming to the male-dominated art world. Mainardi's interpretation offers a different approach to defining feminist art, one that advocates for women's freedom to shape and define their own artistic practices.
Therefore, the purpose of quoting Pat Mainardi is to elaborate on another approach to the problem of defining feminist art, as stated in option (B). The quote adds another perspective to the discussion and highlights the idea that the meaning of art and the nature of relationships between the sexes are evolving phenomena that can be understood and acted upon within the women's movement.
Answer: B
Difficulty Level: 700
Explanation
In the passage, the author introduces the idea that several approaches to defining feminist art have emerged within the feminist art movement. One particular approach suggests the existence of a female aesthetic or sensibility specific to women. After discussing the arguments of proponents and critics of the female aesthetic, the author then quotes Pat Mainardi, who presents an alternative perspective on the issue.
Pat Mainardi's quote emphasizes the importance of women artists being free to explore the entire range of art possibilities. She argues that women should define art based on what women artists do, rather than conforming to the male-dominated art world. Mainardi's interpretation offers a different approach to defining feminist art, one that advocates for women's freedom to shape and define their own artistic practices.
Therefore, the purpose of quoting Pat Mainardi is to elaborate on another approach to the problem of defining feminist art, as stated in option (B). The quote adds another perspective to the discussion and highlights the idea that the meaning of art and the nature of relationships between the sexes are evolving phenomena that can be understood and acted upon within the women's movement.
Answer: B
