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With the help of infrared spectroscopy, Dutch researchers have determined that three of Hieronymus Bosch’s surviving panel paintings,
The Wayfarer, The Haywain, and
The Path of Life, are actually one painting separated into three parts. However, scholars from the Prado Museum remained unconvinced; they asserted that a chemical analysis of the pigments of the paintings does not establish any strong connection among the paintings.
Which of the following, if true, would tend most to weaken the force of the scholars’ objections?
A. There is no recorded evidence that Hieronymus Bosch painted
The Wayfarer, The Haywain, and
The Path of Life as a single painting.
B. Panel paintings such as the ones made by Hieronymus Bosch were often split into separate components by later collectors.
C. A chemical analysis of the type of pigments that Hieronymus Bosch used only has the capacity to detect broad similarities in the pigments’ composition.
D. Microscopic analysis of the wood panels that
The Wayfarer, The Haywain, and
The Path of Life are painted on has revealed no evidence that panels were ever connected.
E. It is uncertain what parts of Hieronymus Bosch’s oeuvre may have been painted by his assistants rather than by Bosch himself.
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Leaving the hard facts. Let’s move to the intricacies mentioned in this passage.
There is a painting, but in three panels. The debate is whether the panel is belonging to a single painting, or three separate paintings.
IR spectroscopy done by researchers, say the panels match, so the paintings are same , split to three.
But, scholars chemical analysis reveals a different picture : these are three pictures and not one split to three.
How did the scholars arrive to this conclusion, what’s the basis of this conclusion?
Chemical analysis on the pigments of the paintings doesn’t show any evidence of correlation between these three. So, scholars conclude all three are different paintings.
We need to weaken the scholars conclusion.
A. There is no recorded evidence that Hieronymus Bosch painted
The Wayfarer, The Haywain, and
The Path of Life as a single painting.
Whether the specific painter in question has painted it or not is not the core issue. Is three painting panels belong to the same root or not?. So, irrespective of evidence, this fails to weaken the scholar’s conclusion. Wrong.
B. Panel paintings such as the ones made by Hieronymus Bosch were often split into separate components by later collectors.
Since a generalising a work is usually being split into three, doesn’t mean the same logic applies to this particular painting. May be the opposite would have been true. So, wrong.
C. A chemical analysis of the type of pigments that Hieronymus Bosch used only has the capacity to detect broad similarities in the pigments’ composition.Option C mentions chemical analysis which says about the pigments in broader terms, say their chemical composition, colour proportions and other specific details to justify they are paint pigments - natural or artificial etc. The analysis tool made doesn’t really pick the differences that needs to be studied. So, the basis of chemical analysis report is itself questionable, which leads to the outcome more debatable. Correct weakening option.
D. Microscopic analysis of the wood panels that
The Wayfarer, The Haywain, and
The Path of Life are painted on has revealed no evidence that panels were ever connected.
This actually strengthens the scholars claim, that the three panels are different. Hence, Wrong.
E. It is uncertain what parts of Hieronymus Bosch’s oeuvre may have been painted by his assistants rather than by Bosch himself.
This option brings a new dimension to the problem, the painting is painted by someone else. We are not concerned with who has painted, but are the three paintings belong to one piece or not. Hence, wrong.
Option C