Bunuel
Historian: Flavius, an ancient Roman governor who believed deeply in the virtues of manual labor and moral temperance, actively sought to discourage the arts by removing state financial support for them. Also, Flavius was widely unpopular among his subjects, as we can conclude from the large number of satirical plays that were written about him during his administration.
The historian’s argumentation is most vulnerable to criticism on the grounds that it
(A) fails to consider the percentage of plays written during Flavius’s administration that were not explicitly about Flavius
(B) treats the satirical plays as a reliable indicator of Flavius’s popularity despite potential bias on the part of the playwrights
(C) presumes, without providing evidence, that Flavius was unfavorably disposed toward the arts
(D) takes for granted that Flavius’s attempt to discourage the arts was successful
(E) fails to consider whether manual labor and moral temperance were widely regarded as virtues in ancient Rome
Nah, this is bullshit because the conclusion is much broader than what’s warranted by the facts. Flavius cut funding for the arts, so it’s not a shocker that he was criticized in many plays, which are, after all, part of the arts. It would be foolish to assume, on these facts, that Flavius was “widely unpopular among his subjects,” unless of course his subjects were all artists, which is not in evidence here.
We’re asked to find a flaw in the logic. One way of stating it would be “makes a broader conclusion than is warranted by the facts.”
A) Not what I’m looking for.
B) Yes, exactly. Playwrights might have hated Flavius for cutting their paychecks, so the opinion of playwrights isn’t a “reliable indicator” of his popularity among his subjects more broadly. Great answer.
C) No, the argument doesn’t do this. The argument provides evidence that Flavius “believed deeply in manual labor and temperance,” and more evidence that Flavius “removed financial support” for the arts. Those two things are pretty solid evidence that Flavius hated the arts.
D) The argument doesn’t make any conclusions whatsoever about the impact Flavius had on the arts. Maybe he succeeded, maybe he didn’t—we just don’t know.
E) This is simply irrelevant to the question of whether the plays are good evidence of Flavius’ popularity.
Our answer is B, because it shows why the argument is bullshit.