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KarishmaB GMATNinja

3. The author suggests that which of the following is an overlooked yet significant aspect of the Harlem Renaissance?

(B) The perceptions of the central figures of the Harlem Renaissance as recorded in autobi- ographies and letters
(D) The nature of the relationship between Black artists and their audiences

They have come easily enough to a whole generation of critics, but their(10) pithy summaries seldom reflect the wide divisions between Blacks and Whites, the Black intelligentsia and Black workers, Black writers and their middle-class audience
Based on the info, I understand how it was overlooked by critics but how can I infer that nature of relationship between Black artists and their audiences was "SIGNIFICANT" aspect of HR?

how to reject B? ZNR was the a central figure and her perceptions was changed later on in the second para.
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Would this type of RCs appear on the real GMAT exam????? Just reading this made me question my verbal skills altogether.
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GMATNinja ttp - how to understand question 2)? Thank you in advance - any help is much appreciated!

2. It can be inferred from the passage that the author would regard which of the following as characteristic of a movement but not of a spirit?

(A) Individual statements of purpose
(B) Conflicts between rivals
(C) The cultivation of notoriety
(D) The development of new ideas
(E) An explicit ideology
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Question 3


Sneha2021
3. The author suggests that which of the following is an overlooked yet significant aspect of the Harlem Renaissance?

(B) The perceptions of the central figures of the Harlem Renaissance as recorded in autobi- ographies and letters

(D) The nature of the relationship between Black artists and their audiences

They have come easily enough to a whole generation of critics, but their(10) pithy summaries seldom reflect the wide divisions between Blacks and Whites, the Black intelligentsia and Black workers, Black writers and their middle-class audience

Based on the info, I understand how it was overlooked by critics but how can I infer that nature of relationship between Black artists and their audiences was "SIGNIFICANT" aspect of HR?

how to reject B? ZNR was the a central figure and her perceptions was changed later on in the second para.
There are several problems with choice (B).

First, the passage refers to ZNR as a writer of the Harlem Renaissance (and, according to Langston Hughes at least, the most amusing), but ZNR is not described as a CENTRAL figure.

Also, ZNR barely mentions the Harlem Renaissance in her autobiography or other public and private writings:

Quote:
...she spends exactly two paragraphs on the Renaissance in her autobiography, and her other writing, public and private, offers {...} very little discussion of what the Harlem Renaissance meant to her...
So even if she was a central figure, her perceptions of the Harlem Renaissance as recorded in her autobiography hardly qualify as a "significant" aspect of the Harlem Renaissance.

Finally, the passage never describes such perceptions as an overlooked aspect of the Harlem Renaissance.

So there's actually no evidence that the author would consider choice (B) to be an overlooked yet significant aspect of the Harlem Renaissance.

As for choice (D), you left out the critical last few words of the sentence starting in line 10:
Quote:
[critics'] pithy summaries seldom reflect the wide divisions between Blacks and Whites, the Black intelligentsia and Black workers, Black writers and their middle-class audience, that marked the era
Since the era was "marked" by those divisions, we have no choice but to consider them a SIGNIFICANT aspect of the era.

I hope that helps!
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Hello from the GMAT Club VerbalBot!

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