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Sajjad1994
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I am stuck between options B and D in question 4.I think option B is answer beause para say only small number of recordings are sold to make shelf space worthwhile ..meaning physical space is needed.problem I find option D there is no comparison as such btw pouplar music and classic music.
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sleepynut
Hi,
Please help with #2.
I don't see anything related with"enjoyment."

pikolo2510

Q#2

The Correct Answer is : C

The second paragraph states "Cultural Factors--most notably television--have been at work for some time now, creating a limited audience for music that requires sustained critical listening "This implies that non-classical (popular) music doesn't require sustained critical listening. (A) This comparison is never made. (B)the author does not imply that the chains have not done enough. (D): This is too strong an inference. It might not be true for all classical musicians. (E) the passage only mensions positive effects.

Hope it Helps
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Hi SajjadAhmad,
Thanks for sharing such nice RC.
Could you please post OE of Q#3.


Thanks,
Tamal
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In question 4, I doubted about choosing B or E.

If we read properly, E is clearly wrong. As this answer choice says that "recordings are displayed in a way that is disadvantageous to the CONSUMER," but indeed, where the recordings are displayed is not disadvantageous to the consumer...

Do you agree guys?
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Hi!

For question#2, can we not infer D based on the excerpt "For some, this has resulted in increased sales volume, greater return on investment, greater control of product, and a more direct connection with an eager market base."?

I thought that because the passage mentioned that for some artists result was positive, so for others it could be negative. (but again, I think that it could be negative; it did not have to be negative(?))
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Identify Key Information in the Passage
Focus on the main topic and direction of the passage:
  • Topic: Impact of the Internet on the classical music market.
  • Tone: Analytical—not overly optimistic or pessimistic.
  • Structure:

    1. Online sales benefit small/niche markets (e.g., classical music).
    2. Specific examples: online availability, artist control, new platforms.
    3. Acknowledgment that classical music will likely stay a niche.
    4. However, it will still be available and viable due to digital support.
👉 Main idea: Digital economy helps sustain niche markets like classical music, even if they don’t dominate.

  • Paragraphs 1–2: Benefits of online sales to classical music.
  • Paragraph 3: Concerns about the market staying niche.
  • Final lines: Optimistic takeaway—classical music can survive through the digital model.
These show that the overall point is to use classical music as a case study to demonstrate the effects of the digital economy on niche markets.

1. The primary purpose of the passage is to _______
(A) demonstrate that classical music, though it is part of a culture that is antithetical to its existence, will exist for some time to come
❌ Too narrow and vague.

  • “Culture antithetical to its existence” is not the main theme (briefly mentioned in “cultural factors” but not central).
  • This ignores the broader discussion of digital economics and market impact.

(B) acknowledge that classical music sales are unlikely to capture a significantly larger part of the market share of musical recordings, despite the beneficial effect of online sales
❌ Too limited in scope.

  • This is a conclusion, but not the primary purpose.
  • The main thrust of the passage is about opportunities created by digital platforms, not just about sales share.

(C) discuss the many ways that the Internet has contributed, and will contribute, to sales of smaller markets
❌ Close, but too general.

  • It hints at the digital economy’s impact on small markets, but doesn’t specify classical music as a central example.
  • Lacks the "example-based" structure present in the passage.

(D) use the effect that online sales has had – and will have – on classical music sales as an example of how the digital economy can change smaller markets
✅ Best match.

  • Accurately captures the structure: classical music as an example.
  • Captures the thrust: how digital economics benefit niche markets.
  • Fits the tone and structure of the entire passage.

(E) show how a few motivated artists have revolutionized a field that was in danger of becoming extinct
❌ Too extreme and narrow.

  • The passage is not focused on a “revolution” or imminent extinction, nor is it about only a few artists.

2. It can be inferred from the passage that the author believes that _______.
(A) classical music recordings available exclusively online are equal to those available in stores
❌ Not stated or implied. No quality comparison is made. The focus is on availability, not equality.

(B) the large music chains have not done enough to promote the sales of classical music recordings
❌ Too accusatory. The passage mentions that only a handful of recordings are stocked, but does not blame or judge the chains.

(C) the enjoyment of popular music does not necessitate long periods of intense listening
✅ Correct inference.
  • From the line:
    Quote:
    “Cultural factors... have been at work... creating a limited audience for music that requires sustained critical listening.”
  • Implies popular music, which dominates, doesn't require such critical listening.

(D) any classical musician who wishes to increase sales of his or her recordings should set up a personal Web site
❌ Too strong (“any musician should...”). The passage mentions some have done this, but does not make a general recommendation.

(E) the digital economy has had a mixed effect on classical music sales
❌ No mixed review implied. The effect is shown as positive, though classical music remains niche.

3. Which of the following is NOT an example of the effect that the digital economy has had on the selling of classical music, as described in the passage?
(A) "Consumers are able to purchase CDs that are unavailable in stores." This is explicitly stated: "the afcionado can now locate nearly any classical CD in print on the Internet" when they're "increasingly hard to find at the larger music chains."

(B) "Artists find it easier to send promotional information to people who have expressed an interest in the artists' music." The passage mentions "a more direct connection with an eager market base" so this is correct.

(C) "A major record label offers its new artists a greater share of profits than in the past." The passage mentions services giving musicians "a more generous share of profits than that offered by the large record labels," but doesn't say large labels themselves have changed their profit-sharing model.

(D) "Listeners download music without having to concern themselves with the cost of each download." This aligns with the "unlimited streaming or downloading for a monthly fee" mentioned in the passage.

(E) "A new artist sells enough copies of a first CD to pay for the production of a second." The passage mentions "increased sales volume" and "greater return on investment" but doesn't specifically discuss artists funding subsequent recordings.
The correct answer is (C) - the passage doesn't mention major record labels changing their profit-sharing practices with new artists.

4. It can be inferred from the passage that one factor that has led to the marginalizing of classical music in retail stores is that _______.

Relevant line from early in the passage:
Quote:
“Recordings of classical music... are increasingly hard to find at the larger music chains, where only a handful of recordings sell well enough to make the inventory costs and use of shelf space worthwhile.”
Key takeaway: Shelf space and inventory costs are only justified for better-selling recordings.

(A) classical music must compete with a wide range of other niche market recordings
❌ Not mentioned. No comparison with other niche markets is made.


(B) physical space is needed for better-selling recordings
✅ Correct.

  • Implied by:

    Quote:
    “only a handful of recordings sell well enough to make the inventory costs and use of shelf space worthwhile.”
  • This means shelf space is allocated to more profitable (popular) music.

(C) major orchestras have had a difficult time selling tickets to live performances
❌ Irrelevant.

  • The passage only mentions concerts in the context of digital downloads, not ticket sales struggles.

(D) inventory costs of classical music recordings tend to be higher than those associated with popular music
❌ Not stated or implied.

  • It says that few classical CDs sell well enough to justify inventory costs—not that the costs are higher.

(E) recordings are displayed in a way that is disadvantageous to the consumer who is interested in a recording that is not a big seller
❌ Not supported.

  • Display methods are not mentioned at all.
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