Q1). According to the passage, one reason why there was a limited time frame in which to paint a prepared rawhide was that
Pre-thought: Because of the two conditions mentioned in the passage; "If painting was attempted while the prepared hide was too moist, the applied paint bled, but if the hide was too dry, the skin did not absorb the pigments" A) the pigments dried quickly and thus had to be applied with speed to avoidcracking.
B) if the hide was too dry, it absorbed too much paint.
C) if the hide was too moist, it rejected the pigments.
D) the designs had to be fully visualized before painting was started.
E) if the hide was too moist, the paint bled. Correct
Q2). The main purpose of the passage is to
Pre-thought: The passage talks about Parfleche and its significance in the tribeA) describe a tool used among Native Americans when working with rawhide.
B) rebut a commonly held view about the symbolism of the parfleche for the Plains peoples.
C) analyze the societies of the Cheyenne and Arapaho people.
D) propose a new method for analyzing the use of symbolism in Native American art.
E) discuss the spiritual and symbolic importance of a rawhide container and its decorations to several Plains tribes
CorrectQ3). According to the author, the Cheyenne women’s painting society was unlike Western European guilds of the Middle Ages and the Renaissance in that
Pre-thought: "Although similar in their economic and social importance to craftsmen’s guilds in medieval and Renaissance Western Europe, the painting society also had a spiritual or religious nature" A) application for membership was required.
B) the group had significant economic standing in the community.
C) the group had significant social standing in the community.
D) the women’s painting society was religious in nature.
CorrectE) the society had an influence on social standing and material valuation.
Q4). You can most reasonably conclude that the Cheyenne definition of the term moneneheo reflects
Pre-thought: "among the Cheyenne were known as moneneheo, the Selected Ones" A) the high status some women enjoyed as artists in Cheyenne culture.
CorrectB) the shamanistic spiritual origins of the women’s painting society.
C) the notion that artists were chosen by the gods to perform their tasks.
D) the self-restrictive nature of the women’s painting society.
E) a woman’s skill in using rawhide tools such as the “flesher.”
Q5). The author describes the symbolic meanings of the diamond shape most likely in order to
Pre-thought: "Each design element, for instance, was a syntagma—a linguistic or visual unit intended to convey meaning—freighted with symbolic referents" A) indicate how precious the completed parfleche was to its owner.
B) prove that the grasshopper was superior to the bison in Cheyenne religion.
C) illustrate the visual complexity of the abstract forms used in creating a parfleche.
D) provide an example of the many layers of symbolism involved in creating a parfleche.
CorrectE) demonstrate the relationship between the symbolic shapes of the tools and the abstract designs used in creating a parfleche.