Art Historian: When a viewer experiences a sense of awe while looking at a hyper-realistic landscape painting, the viewer is structurally isolated from the physical reality of that landscape. Lacking the visceral physical stakes of standing in an actual geographic environment, the aesthetic responses evoked by art are appreciated as formal constructs independent of ___1___. Consequently, the viewer can find exhilaration even in terror when it is directed at the subjects of a painted canvas, because the artwork's artistic value consists partly in its ability to safely evoke such ___2___. Select options to fill in the two blanks above to most coherently complete the art historian's statements. Make only two selections, one in each column.

Art Historian: When a viewer experiences a sense of awe while looking : Two-part Analysis (TPA)

Blank 1	Blank 2	Options
		artistic value
		structural isolation
		standardly distressing sensations
		painted canvases
		physical environments