Events & Promotions
|
|
GMAT Club Daily Prep
Thank you for using the timer - this advanced tool can estimate your performance and suggest more practice questions. We have subscribed you to Daily Prep Questions via email.
Customized
for You
Track
Your Progress
Practice
Pays
Not interested in getting valuable practice questions and articles delivered to your email? No problem, unsubscribe here.
Apr 2711:00 AM EDT
-12:00 PM EDT
Prefer video-based learning? The Target Test Prep OnDemand course is a one-of-a-kind video masterclass featuring 400 hours of lecture-style teaching by Scott Woodbury-Stewart, founder of Target Test Prep and one of the most accomplished GMAT instructors
Apr 2610:00 AM EDT
-11:00 AM EDT
The Target Test Prep course represents a quantum leap forward in GMAT preparation, a radical reinterpretation of the way that students should study. Try before you buy with a 5-day, full-access trial of the course for FREE!
Apr 2808:00 AM PDT
-11:00 AM PDT
Whether you are just beginning your MBA journey or fine-tuning your path to a 700+ score, GMAT Day is designed to give you a competitive edge.
devikeerthansr
GMAT 1: 650 Q47 V32
Posts: 214
25 Apr 2018, 03:07
Kudos
Bookmarks
D
Be sure to select an answer first to save it in the Error Log before revealing the correct answer (OA)!
Difficulty:
95%
(hard)
Question Stats:
44% (02:09) correct
56%
(02:11)
wrong
based on 341
sessions
History
Date
Time
Result
Not Attempted Yet
In 2001, Edgar Degas completed a painting that mimicked the dazzling style of Rembrandt, a fifteenth century artist and the last of the Great Masters. Critics believe that this was as similar as possible to Rembrandt’s original style. Although some of the techniques used by Degas are reminiscent of the twentieth century master Pablo Picasso, Picasso has himself confessed that he was influenced by the tradition of the Great Masters. The considerations given best serve as part of an argument that
A critics may be surprised to recognize a similarity in painting techniques between those of the Great Masters and those of Picasso, essentially a modernist.
B Pablos Picasso had attempted to reproduce Rembrandt paintings himself.
C the training of artists in the twenty first century is based on principles that do not differ radically from those that underlay the training of artists in the fifteenth-century.
D modern critics are not necessarily incorrect in their views about Degas work.
E Degas may have been trained to model his work on those of Picasso and Rembrandt.
Source:Crackverbal
A critics may be surprised to recognize a similarity in painting techniques between those of the Great Masters and those of Picasso, essentially a modernist.
B Pablos Picasso had attempted to reproduce Rembrandt paintings himself.
C the training of artists in the twenty first century is based on principles that do not differ radically from those that underlay the training of artists in the fifteenth-century.
D modern critics are not necessarily incorrect in their views about Degas work.
E Degas may have been trained to model his work on those of Picasso and Rembrandt.
Source:Crackverbal
28 Apr 2018, 02:25
Kudos
Bookmarks
Please specify how the answer is D and not C
29 Apr 2018, 08:06
Kudos
Bookmarks
suraagar
In 2001, Edgar Degas completed a painting that mimicked the dazzling style of Rembrandt, a fifteenth century artist and the last of the Great Masters. Critics believe that this was as similar as possible to Rembrandt’s original style. Although some of the techniques used by Degas are reminiscent of the twentieth century master Pablo Picasso, Picasso has himself confessed that he was influenced by the tradition of the Great Masters. The considerations given best serve as part of an argument that
Critics believed that ED - Mimicked Rs style
Some felt ED -Mimicked Pablo
But Pablo himself Mimicked Rs style
So its right to say ED Mimicked Rs style
A critics may be surprised to recognize a similarity in painting techniques between those of the Great Masters and those of Picasso, essentially a modernist - Out of scope
B Pablos Picasso had attempted to reproduce Rembrandt paintings himself -Maybe he did ,Maybe he dint but the para only talks about the techniques used and not about replicating paintings Out of scope
C the training of artists in the twenty first century is based on principles that do not differ radically from those that underlay the training of artists in the fifteenth-century.- the Para talks nothing about training Out of scope
D modern critics are not necessarily incorrect in their views about Degas work - closest possible answer .
E Degas may have been trained to model his work on those of Picasso and Rembrandt- The paragraph talks nothing about EDs training at all . Out of scope
