Passage Analysis
• In 1563, in Florence's Palazzo Vecchio, Giorgio Vasari built in front of an existing wall a new wall on which he painted a mural.
o Giorgio Vasari erected a new wall in front of an existing wall in 1563 at Palazzo Vecchio in Florence.
o He painted a mural on the new wall.
• Investigators recently discovered a gap between Vasari's wall and the original, large enough to have preserved anything painted on the original.
o Researchers recently found that the wall built by Vasari maintained a gap with the first wall.
o This gap is big enough to have sustained any painting that may have been made on the wall behind.
• Historians believe that Leonardo da Vinci had painted, but left unfinished, a mural on the original wall;
o Historians are of the opinion that Leonardo da Vinci had made a painting on the original wall.
o Da Vinci is thought to have left that painting unfinished.
• some historians had also believed that by 1563 the mural had been destroyed.
o Some of the historians thought that this wall painting was destroyed by 1563.
• However, it is known that in the late 1560s, when renovating another building, Santa Maria Novella, Vasari built a façade over its frescoes, and the frescoes were thereby preserved.
o We know that towards the end of 1560s, Vasari built a façade over the frescoes of Santa Maria Novella due to which the frescoes were protected.
o This was done while he was renovating that building.
o This information contrasts with the historians’ belief.
• Thus, Leonardo's Palazzo Vecchio mural probably still exists behind Vasari's wall.
oThe author, therefore, expects Leonardo’s mural at Palazzo Vecchio to still exist.
o The author thinks the da Vinci mural is preserved behind Vasari’s second wall.
Conclusion: Leonardo da Vinci's Palazzo Vecchio mural probably still exists behind Vasari's wall.Question Stem AnalysisThis question directly asks to point out the assumption on which the argument depends.
Pre-thinking
Falsification QuestionIn what scenario is it possible that Leonardo da Vinci's Palazzo Vecchio mural may not exist anymore behind Vasari's wall?
Given that
• In 1563, in Florence's Palazzo Vecchio, Giorgio Vasari built in front of an existing wall a new wall on which he painted a mural.
• Investigators recently discovered a gap large enough to have preserved anything painted on the original wall, between Vasari's wall and the original.
• Historians believe that Leonardo da Vinci had painted, but left unfinished, a mural on the original wall; some historians had also believed that by 1563 the mural had been destroyed.
• In the late 1560s, when renovating another building, Santa Maria Novella, Vasari built a façade over its frescoes, and the frescoes were thereby preserved.
Thought ProcessThe author explains why they conclude that Leonardo da Vinci’s unfinished Palazzo Vecchio mural is preserved beneath the second wall built by Vasari over the original one. Vasari is known to have done similar acts for the same purpose in other cases like Santa Maria Novella. But such an explanation will be convincing only if there are no other logical reasons for Vasari to intentionally retain a gap from the original wall. Also, the whole idea of keeping the gap between walls to preserve Leonardo’s painting is plausible only if we are sure Leonardo did not destroy his unfinished works.
Falsification condition#1What if Leonardo destroyed every unfinished artwork he made? In that case the conclusion breaks down.
Assumption#1Leonardo did not destroy every unfinished artwork he made.
Falsification condition#2What if the reason Vasari built the wall with a gap was for some other pressing reason?
Assumption#2Vasari would be unlikely to build the wall with a gap from the original unless there is something that needs to be protected beneath it.
Answer Choice Analysis
(A) Leonardo rarely if ever destroyed artworks that he left unfinished.
INCORRECTEven if Leonardo rarely destroyed his unfinished artworks, there is always a chance that this one was destroyed. If we negate this statement, we get “Leonardo destroyed his artworks that he left unfinished often”. This cannot negate the argument conclusively. Hence this is not the correct answer.
(B) Vasari was likely unaware that the mural in the Palazzo Vecchio had willingly been abandoned by Leonardo.
INCORRECTVasari could choose to preserve Leonardo’s work even if he knew it was intentionally deserted. Hence this is an incorrect answer.
(C) Vasari probably would not have built the Palazzo Vecchio wall with a gap behind it except to preserve something behind the new wall.
CORRECTThis is in line with our pre-thinking and hence the correct answer choice.
(D) Leonardo would probably have completed the Palazzo Vecchio mural if he had the opportunity to do so.
INCORRECTThis assumption is not required for the conclusion to hold. Hence this is not the correct choice.
(E) When Vasari preserved the frescoes of Santa Maria Novella he did so secretly.
INCORRECTThere is no need to assume this to reach the conclusion of our argument. In addition to that, even if he did inform a few people, but happened to be no record about it, the present situation can arise. The negation of this assumption does not negate the conclusion. Hence this cannot be the correct answer.