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13 Jan 2018, 14:00
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Difficulty:
45%
(medium)
Question Stats:
59% (01:47) correct
41%
(01:51)
wrong
based on 195
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Martha Graham, who was an American modern dancer and choreographer, created almost two hundred dance pieces both influenced by the works of Armenian theatre director Rouben Mamoulian and Russian-born operatic tenor and stage director Vladimir Rosing; however, the themes she explored were quite different from those of her contemporaries.
a Martha Graham, who was an American modern dancer and choreographer, created almost two hundred dance pieces both influenced
b Martha Graham, the American modern dancer and choreographer, created almost two hundred dance pieces that were influenced both
c American modern dancer and choreographer Martha Graham, who created almost two hundred dance pieces influenced
d American modern dancer and choreographer Martha Graham created almost two hundred dance pieces that were influenced
e American modern dancer and choreographer Martha Graham created almost two hundred dance pieces influenced both
a Martha Graham, who was an American modern dancer and choreographer, created almost two hundred dance pieces both influenced
b Martha Graham, the American modern dancer and choreographer, created almost two hundred dance pieces that were influenced both
c American modern dancer and choreographer Martha Graham, who created almost two hundred dance pieces influenced
d American modern dancer and choreographer Martha Graham created almost two hundred dance pieces that were influenced
e American modern dancer and choreographer Martha Graham created almost two hundred dance pieces influenced both
13 Jan 2018, 15:25
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devikeerthansr
Martha Graham, who was an American modern dancer and choreographer, created almost two hundred dance pieces both influenced by the works of Armenian theatre director Rouben Mamoulian and Russian-born operatic tenor and stage director Vladimir Rosing; however, the themes she explored were quite different from those of her contemporaries.
a Martha Graham, who was an American modern dancer and choreographer, created almost two hundred dance pieces both influenced
b Martha Graham, the American modern dancer and choreographer, created almost two hundred dance pieces that were influenced both
c American modern dancer and choreographer Martha Graham, who created almost two hundred dance pieces influenced
d American modern dancer and choreographer Martha Graham created almost two hundred dance pieces that were influenced
e American modern dancer and choreographer Martha Graham created almost two hundred dance pieces influenced both
a Martha Graham, who was an American modern dancer and choreographer, created almost two hundred dance pieces both influenced
b Martha Graham, the American modern dancer and choreographer, created almost two hundred dance pieces that were influenced both
c American modern dancer and choreographer Martha Graham, who created almost two hundred dance pieces influenced
d American modern dancer and choreographer Martha Graham created almost two hundred dance pieces that were influenced
e American modern dancer and choreographer Martha Graham created almost two hundred dance pieces influenced both
A- Incorrect both
B - same as A
C - influenced + by the works - wrong structure
D - Correct
E - Incorrect both
13 Jan 2018, 22:34
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We do not need both in the answer choices.Both actually changes the meaning.We use both to refer to two things or people together:
Both those chairs are occupied.(The two chairs are occupied.)
But both can also refers to the subject or object of a clause
In the question both was as the object pronoun and wrongly modifying two hundred dance pieces.
So A,B and E are out.
Between C and D ,C doesn't have any verb.
So D is the right answer.
Both those chairs are occupied.(The two chairs are occupied.)
But both can also refers to the subject or object of a clause
In the question both was as the object pronoun and wrongly modifying two hundred dance pieces.
So A,B and E are out.
Between C and D ,C doesn't have any verb.
So D is the right answer.
