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Re: Thelonious Monk, who was a jazz pianist and composer, produced a body
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12 Dec 2017, 18:50
Thelonious Monk, who was a jazz pianist and composer, produced a body of work both rooted in the stride-piano tradition of Willie (The Lion) Smith and Duke Ellington, yet in many ways he stood apart from the mainstream jazz repertory.
A. Thelonious Monk, who was a jazz pianist and composer, produced a body of work both rooted
B. Thelonious Monk, the jazz pianist and composer, produced a body of work that was rooted both
C. Jazz pianist and composer Thelonious Monk, who produced a body of work rooted
D. Jazz pianist and composer Thelonious Monk produced a body of work that was rooted
E. Jazz pianist and composer Thelonious Monk produced a body of work rooted both
CHOICE A: There is nothing technically incorrect with the first 9 words of this sentence, but in general, you should prioritize ACTION VERBS such as "produced" and "stood apart" to VERBS OF BEING / LINKING VERBS such as "was," because verbs of being can often be skipped altogether. For example, "I liked the house that was blue" is unnecessary; instead one should say "I liked the blue house." In addition, "jazz pianist and composer" is Monk's title, and as such should be placed immediately next to his name if possible. For example, "Architect Frank Gehry..." is a better sentence opener than "Frank Gehry, the architect, ..." Finally, we should note that the word "both" does not work here, despite the fact that two musicians are mentioned at the end of the sentence. See the explanation of Choice E for more information on this.
CHOICE B: This is better than Choice A because the "who was" is removed, but it has the same problem as does Choice A with regard to the unnecessary separation between the person ("Monk") and his title ("jazz pianist and composer"), as well as the "both" issue explained in the analysis of Choice E.
CHOICE C: This cannot be correct, because the use of the modifier "who," which takes its own verb ("produced") and thus removes the main verb from the first part of the sentence. For example, "My friend, who owns a coffeeshop, yet he still finds time to practice the drums." is incorrect because of the ", who ____ ." In addition, there is no need to put a comma between the main subject of the sentence ("Monk") and its verb ("produced").
CHOICE D: Correct! It properly addresses both the flaws of the Choice A (unnecessary comma between the person and his title, unnecessary verb of being) and is the best choice here, though the "that was" at the end is unnecessary.
CHOICE E: This is a decoy answer that is very close to working (it does improve on Choice D in the omission of "that was"), but if you use the expression "(adjective) both in A and (in) B," then the first part of the expression needs to carry over to the second. It doesn't make sense to write "a body of work rooted both in the stride piano tradition of Willie Smith and Duke Ellington, yet..."--you can't be "rooted in Duke Ellington," because unlike the first example ("rooted in the stride piano tradition"), Duke Ellington is a person and not a musical style--this answer choice is incorrect. Thus, you could consider this to be a parallel structure error, or a faulty comparison.
For example (incorrect): "I am immersed in both the art of teaching math and English, yet I still have much to learn." Just because I wrote "math and English" doesn't mean that the "both" is correct. I am immersed in only one thing in this sentence--the art of teaching, whether or not that art consists of multiple elements (math and English). Hence I should remove the word "both" entirely, or put it before the word "math": "I am immersed in the art of teaching (both) math and English, yet I still have much to learn."
CORRECT VERSION: Jazz pianist and composer Thelonious Monk produced a body of work that was rooted in the stride-piano tradition of Willie (The Lion) Smith and Duke Ellington, yet in many ways he stood apart from the mainstream jazz repertory.
PERFECT VERSION: Jazz pianist and composer Thelonious Monk produced a body of work rooted in the stride-piano tradition of Willie (The Lion) Smith and Duke Ellington, yet in many ways he stood apart from the mainstream jazz repertory.