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605-655 Level|   Modifiers|   Parallelism|                                 
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But in option C,D and E, without a comma between "Jazz pianist and composer" and "Thelonious Monk", doesn't it sound like Jazz Pianist and Mr. Monk are two different people performing this action. I mean if "Jazz pianist and composer" has to modify "Thelonious Monk", there should be a comma between them.
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ankitcbr
But in option C,D and E, without a comma between "Jazz pianist and composer" and "Thelonious Monk", doesn't it sound like Jazz Pianist and Mr. Monk are two different people performing this action. I mean if "Jazz pianist and composer" has to modify "Thelonious Monk", there should be a comma between them.
Hi ankitcbr,

We definitely do not want a comma there (this post, this post, and this post).

Think about something like President Emmanuel Macron. We wouldn't use a comma there (President, Emmanuel Macron).
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The problem in A is the unnecessary intrusion of the word ‘both’; you can not say, 'a body of work" and then ‘both’ ‘‘Both’ has no plural referent.

In B and E, ‘both’ is misleading because there are no two traditions. There is only one tradition, i.e. the stride piano tradition.
In C there are two subjects to the main clause namely, Thelonious Monk and he. The second subject ‘he’ is redundant.
D is the correct choice with a proper contrasting and coordinating conjunction 'yet' that joins the two arms of this compound sentence and with the nosey word ‘both’ having been dropped

daagh
May I know why do you think 'Thelonious Monk' and 'he' is redundant in choice C? Appreciating your help.
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TheUltimateWinner
Look at what happens to our sentence core if we strip out the modifiers, especially the long one after the subject ("who produced . . . Ellington"). What do we have left? "Monk, yet he stood apart from the repertory." We've got the subject twice in a row before we see a verb. That doesn't work! If we want to say "yet he stood apart," we need to see a verb for "Monk" first, and that's what D does: "Monk produced a body of work, yet he stood apart."
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But the definition of "redundant" is something different, isn't it? Thanks...
DmitryFarber
TheUltimateWinner
Look at what happens to our sentence core if we strip out the modifiers, especially the long one after the subject ("who produced . . . Ellington"). What do we have left? "Monk, yet he stood apart from the repertory." We've got the subject twice in a row before we see a verb. That doesn't work! If we want to say "yet he stood apart," we need to see a verb for "Monk" first, and that's what D does: "Monk produced a body of work, yet he stood apart."

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Redundant isn't the word I would use here, but we *do* have two subjects with only one verb, so I suppose we could call "he" redundant. However, the "yet" creates the expectation that we are joining two clauses, so I'd say it's more appropriate to view this choice as missing a verb for the first noun. There are other questions where the presence of two nouns in a row can seem truly redundant, such as the "heirloom tomatoes" question: https://gmatclub.com/forum/heirloom-tom ... 75868.html
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And in this case, we don’t have those parallel elements: “…both rooted… and Duke Ellington…” Nope: “rooted” is an adjective in this situation, and “Duke Ellington” definitely is not. So we can eliminate (A).

Why GMATNinja sir mentioned that rooted in an adjective in this situation . i thought rooted is a verb-ed modifier to verb "work". So verb-ed modifier can be said adjective? Does it mean?

arunCrackVerbal AjiteshArun
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imSKR
Why GMATNinja sir mentioned that rooted in an adjective in this situation . i thought rooted is a verb-ed modifier to verb "work". So verb-ed modifier can be said adjective? Does it mean?

arunCrackVerbal AjiteshArun
Hi imSKR,

"Verb-ed modifier" is not a very accurate way to refer to what rooted is, and GMATNinja is correct in saying that it is (a past participle acting as) an adjective. In other words, past participles can play multiple roles, and this one is working as an adjective for the noun body of work.
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This is one of my favorites, just because I see a lot of errors on it – but it’s actually really straightforward, and is easy to solve if you follow a couple of simple rules. And that doesn’t happen as often as we’d like on GMAT SC, unfortunately.

Quote:
A. Thelonious Monk, who was a jazz pianist and composer, produced a body of work both rooted
OK, the thing that should jump out at us is the word “both.” In this case, “both” is paired with the word “and” – and this is a very strict parallelism “trigger”. The word “both” and the word “and” must be followed by two parallel elements.

And in this case, we don’t have those parallel elements: “…both rooted… and Duke Ellington…” Nope: “rooted” is an adjective in this situation, and “Duke Ellington” definitely is not. So we can eliminate (A).

(And for anybody who was paying extremely close attention in our YouTube webinar on parallelism and meaning: when I mentioned “special parallel triggers”, this both/and construction is one of the most important examples I had in mind.)

Quote:
B. Thelonious Monk, the jazz pianist and composer, produced a body of work that was rooted both
I’m OK with the use of “that” here: “that was rooted” just modifies the “body of work.” You could probably argue that the words “that was” aren’t strictly necessary, but they also aren’t doing any harm at all.

The more important thing is the parallelism again: “…both in the stride-piano tradition… and Duke Ellington…”

Nope, that’s definitely not parallel, either. (B) is out.

Quote:
C. Jazz pianist and composer Thelonious Monk, who produced a body of work rooted
Hm, no more “both”! That’s cool. Now the parallelism isn’t a problem at all: Willie (The Lion) Smith and Duke Ellington are parallel to each other in the non-underlined portion.

But now there’s a more subtle problem: this thing isn’t a legitimate sentence anymore, because the presumed subject of the sentence (“Jazz pianist and composer Thelonious Monk”) never actually “performs” a main verb. I think we can agree that the part beginning with “who” is just modifying Thelonious Monk, so let’s strip that out for just a moment to see what we have: “Jazz pianist and composer Thelonious Monk,… yet in many ways he stood apart from the mainstream jazz repertory.”

Huh? That makes no sense. Basically, the sentence is structured as a noun, followed by a modifier, followed by a dependent clause. That’s not a sentence. So (C) is out.

Quote:
D. Jazz pianist and composer Thelonious Monk produced a body of work that was rooted
As in (C), we don’t have any parallelism issues here, since “both” has been removed. But unlike (C), (D) is actually a real sentence, since it starts with a nice, independent clause: “…Thelonious Monk produced a body of work…”

So let’s keep (D).

Quote:
E. Jazz pianist and composer Thelonious Monk produced a body of work rooted both
And we’re right back to the same parallelism problem as in (B): “…both in the stride-piano tradition… and Duke Ellington…” That’s just plain wrong, and we’re left with (D) as the correct answer.


Hi GMATNinja,

If we rewrite the correct option as below (removing "that was"), then is it still correct? If yey, then why?

(D) Jazz pianist and composer Thelonious Monk produced a body of work rooted

If anyone can clarify, that would be great!
Thanks!
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Adambhau
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This is one of my favorites, just because I see a lot of errors on it – but it’s actually really straightforward, and is easy to solve if you follow a couple of simple rules. And that doesn’t happen as often as we’d like on GMAT SC, unfortunately.

Quote:
A. Thelonious Monk, who was a jazz pianist and composer, produced a body of work both rooted
OK, the thing that should jump out at us is the word “both.” In this case, “both” is paired with the word “and” – and this is a very strict parallelism “trigger”. The word “both” and the word “and” must be followed by two parallel elements.

And in this case, we don’t have those parallel elements: “…both rooted… and Duke Ellington…” Nope: “rooted” is an adjective in this situation, and “Duke Ellington” definitely is not. So we can eliminate (A).

(And for anybody who was paying extremely close attention in our YouTube webinar on parallelism and meaning: when I mentioned “special parallel triggers”, this both/and construction is one of the most important examples I had in mind.)

Quote:
B. Thelonious Monk, the jazz pianist and composer, produced a body of work that was rooted both
I’m OK with the use of “that” here: “that was rooted” just modifies the “body of work.” You could probably argue that the words “that was” aren’t strictly necessary, but they also aren’t doing any harm at all.

The more important thing is the parallelism again: “…both in the stride-piano tradition… and Duke Ellington…”

Nope, that’s definitely not parallel, either. (B) is out.

Quote:
C. Jazz pianist and composer Thelonious Monk, who produced a body of work rooted
Hm, no more “both”! That’s cool. Now the parallelism isn’t a problem at all: Willie (The Lion) Smith and Duke Ellington are parallel to each other in the non-underlined portion.

But now there’s a more subtle problem: this thing isn’t a legitimate sentence anymore, because the presumed subject of the sentence (“Jazz pianist and composer Thelonious Monk”) never actually “performs” a main verb. I think we can agree that the part beginning with “who” is just modifying Thelonious Monk, so let’s strip that out for just a moment to see what we have: “Jazz pianist and composer Thelonious Monk,… yet in many ways he stood apart from the mainstream jazz repertory.”

Huh? That makes no sense. Basically, the sentence is structured as a noun, followed by a modifier, followed by a dependent clause. That’s not a sentence. So (C) is out.

Quote:
D. Jazz pianist and composer Thelonious Monk produced a body of work that was rooted
As in (C), we don’t have any parallelism issues here, since “both” has been removed. But unlike (C), (D) is actually a real sentence, since it starts with a nice, independent clause: “…Thelonious Monk produced a body of work…”

So let’s keep (D).

Quote:
E. Jazz pianist and composer Thelonious Monk produced a body of work rooted both
And we’re right back to the same parallelism problem as in (B): “…both in the stride-piano tradition… and Duke Ellington…” That’s just plain wrong, and we’re left with (D) as the correct answer.


Hi GMATNinja,

If we rewrite the correct option as below (removing "that was"), then is it still correct? If yey, then why?

(D) Jazz pianist and composer Thelonious Monk produced a body of work rooted

If anyone can clarify, that would be great!
Thanks!

I don't think there would be any issue removing that was because rooted would be considered as modfying body of work.
Even GmatNinja also highlighted about this in his explanation of B option:
Quote:
I’m OK with the use of “that” here: “that was rooted” just modifies the “body of work.” You could probably argue that the words “that was” aren’t strictly necessary, but they also aren’t doing any harm at all.

Hope it is clear
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Is there no problem using "the" in front of jazz pianist?

I thought it should be "a jazz pianist" rather than "the jazz pianist"
Can someone explain me the difference between 'a' and 'the' in this context?

B. Thelonious Monk, the jazz pianist and composer, produced a body of work that was rooted both

GMATNinja
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celan
Is there no problem using "the" in front of jazz pianist?

I thought it should be "a jazz pianist" rather than "the jazz pianist"
Can someone explain me the difference between 'a' and 'the' in this context?

B. Thelonious Monk, the jazz pianist and composer, produced a body of work that was rooted both

GMATNinja

Hello celan,

We hope this finds you well.

To answer your query, in this context, the use of "the" differs from the use of "a" only in that "the" provides an added sense of emphasis, without altering the meaning.

We hope this helps.
All the best!
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celan
Is there no problem using "the" in front of jazz pianist?

I thought it should be "a jazz pianist" rather than "the jazz pianist"
Can someone explain me the difference between 'a' and 'the' in this context?

B. Thelonious Monk, the jazz pianist and composer, produced a body of work that was rooted both

GMATNinja
Hi celan,

With regard to your question concerning the word "the" vs. the word "an" when introducing a subject:

The word "the" suggests that the subject is well-known, and the word "a/an" would suggest the opposite.

For example: "Lionel Messi, the soccer star who..." sounds much more natural than "Lionel Messi, a soccer star who..." because everybody knows Messi.

The opposite is also true for unknown subjects. "My boss, a great singer..." sounds better than "My boss, the great singer..." because your boss is most likely not a famous vocalist.
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Thelonious Monk, who was a jazz pianist and composer, produced a body of work both rooted in the stride-piano tradition of Willie (The Lion) Smith and Duke Ellington, yet in many ways he stood apart from the mainstream jazz repertory.


(A) Thelonious Monk, who was a jazz pianist and composer, produced a body of work both rooted
the parallelism isn't maintained after the trigger both/and therefore out

(B) Thelonious Monk, the jazz pianist and composer, produced a body of work that was rooted both
'that' usage is fine, since the modification is happening to body of work make sense however the major issue is with the parallelism therefore out

(C) Jazz pianist and composer Thelonious Monk, who produced a body of work rooted
This is one hell of a hot mess, addition of 'who' isn't adding extra layer of meaning , in adition independent clause is followed by a noun clause doesn't make much sense therefore out

(D) Jazz pianist and composer Thelonious Monk produced a body of work that was rooted
The parallelism and the meaning is perfect therefore let us hang on to it

(E) Jazz pianist and composer Thelonious Monk produced a body of work rooted both
Similar reasoning as B

THerefore IMO D
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Thelonious Monk, who was a jazz pianist and composer, produced a body of work both rooted in the stride-piano tradition of Willie (The Lion) Smith and Duke Ellington, yet in many ways he stood apart from the mainstream jazz repertory.


(A) Thelonious Monk, who was a jazz pianist and composer, produced a body of work both rooted

Her , problem lies with the usage of both , which is cretaing distotion with parallelism, as we need something like both rooted and -----which need to be follwed by some verb in the past tense, which is not present there.

(B) Thelonious Monk, the jazz pianist and composer, produced a body of work that was rooted both

here, gain problem lies with the usage of both, as both in the stride-piano tradition of Willie Smith and Duke Ellington conveys stride piano tradition (of willie smith) and duke smith - so meaning error.

(C) Jazz pianist and composer Thelonious Monk, who produced a body of work rooted

meaning error with this optios as this option tries to convey either thelonious monk produced only one body of work or all works he produced were deep rooted in the stride tradition of piano,....

(D) Jazz pianist and composer Thelonious Monk produced a body of work that was rooted

everything fine with option- it conveys that thelonious monk produced a body of work which was deep rooted in the stride tradition of willie smith and duke smith - so parlleslism is fine.yet his works stood apart from mainstream jazz repertory.

(E) Jazz pianist and composer Thelonious Monk produced a body of work rooted both

again issue with both.
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I got it why option 'E' is the correct choice but I still have a small problem with the question. Can't "Jazz pianist and composer T. Monk" refer to two separate people in the option choices C,D,E?
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SJ5
I got it why option 'E' is the correct choice but I still have a small problem with the question. Can't "Jazz pianist and composer T. Monk" refer to two separate people in the option choices C,D,E?
If we were talking about two different people, the first a jazz pianist, and the second composer Thelonious Monk, then the verb "produced" would apply to both of them, right?

Here's the problem: it's fine to write, "Composer Thelonious Monk produced a body of work," but we can't write "Jazz pianist produced a body of work." (At minimum, we'd need an article before "jazz pianist" for it to make any sense.) So it stands to reason that because "jazz pianist" can't function as a subject, it must be operating as a modifier. And the only entity it could logically modify here is "Thelonious Monk." Perfectly reasonable.

And really, even if there were some ambiguity about whether we were talking about two people or one, (A) and (B) have concrete parallelism errors, so you're stuck with the construction, even if you don't love it.

I hope that clears things up!
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